The Bobo

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The Bobo
The Bobo Theatrical release poster.jpg
Theatrical release poster
Directed byRobert Parrish
Peter Sellers (uncredited)
Written byDavid R. Schwartz
Based onPlay
by David R. Schwartz
Novel Olimpia
by Burt Cole
Produced byJerry Gershwin
Elliott Kastner
StarringPeter Sellers
Britt Ekland
Rossano Brazzi
Adolfo Celi
CinematographyGerry Turpin
Edited byJohn Jympson
Pamela Tomling
Music byFrancis Lai
Distributed byWarner-Pathé Distributors (UK)
Warner Bros. Pictures (USA)
Release date
  • 28 September 1967 (1967-09-28) (U.S.)[1][2]
Running time
103 minutes
CountryUnited Kingdom
LanguageEnglish
Budget$3 million[3] or £1.117 million[4]

The Bobo is a 1967 British comedy film directed by Robert Parrish and starring Peter Sellers and Britt Ekland.[5] It is based on the 1959 novel Olimpia by Burt Cole, also known as Thomas Dixon.

Plot

Singing matador Juan Bautista is offered a break by a theater manager if he will seduce the beautiful Olimpia. He does so, in part by singing her a beautiful song about the "girl from Barcelona". Once she has succumbed to his advances, she finds out his deception. She and a female relative find a way to get him in a bathtub of blue dye and he is turned dark blue in revenge.

Cast

Production

Original novel and play

The film was based on the 1959 novel Olimpia by Burt Cole. The New York Times wrote that "the author does have an ability to see with imagination and occasionally literary artistry. What he lacks ... is not flamboyance, but a story with substance."[6]

In 1961 it was announced that David R. Schwartz had written a theatre adaptation titled The Bobo, with former Moss Hart assistant Joseph Hyman slated to produce,[7] Norman Jewison to direct and Diane Cilento and Shelley Berman to star. Jewison said: "It's not a slick comedy. It's a little different and much fresher."[8] In 1962, Caroline Swan was named as producer,[9] but the play never materialised.

Development

In August 1962, George Cukor announced that he would produce a film based on the book to star Ava Gardner.[10]

In May 1966, it was announced that film rights to the play were owned by the team of Eliot Kastner and Jerry Gershwin, who had recently produced Harper and Kaleidescope for Warner Bros. They signed a deal with Peter Sellers to star in the film and possibly direct it.[11] In August 1966, it was announced that Sellers' wife Britt Ekland would appear in the film as the first of a five-film contract with Gershwin.[12] Eventually, Sellers decided not to direct and Robert Parrish took the job.

Shooting

Filming took place in Italy and Barcelona in August 1966[13] and at Cinecittà Studios, Rome. It was a difficult shoot, as Sellers and Ekland were having marital problems and Sellers' mother died during filming. Sellers insisted on directing some of the film.[14][15][16]

Soundtrack

"Imagine," the song heard with the titles, was written by Francis Lai, with lyrics by Sammy Cahn. It was released as a single by Stan Kenton and His Orchestra, by Dana Valery as a B-side to "You" and by John Gary as a B-side to "Cold", all in 1967.[17][18]

Critical reception

In a contemporary review The Monthly Film Bulletin wrote:

A remarkably unfunny comedy. Peter Sellers gives an equivocal performance as the mongrel hero – part clown, part singer, part lover – that leaves one constantly aware of the discrepancy between the intended effect and the one actually achieved. When his redrimmed eyes stare soulfully out from a cerulean face, we sense that we are meant to be moved – as by Keaton or Chaplin – but are merely embarrassed; and the same is true – though this time an analogy with Jerry Lewis would be more appropriate – of the scene where his singing, which a little earlier had made both us and the impresario wince, is supposed to touch Olimpia's granite heart. But in context his performance acquires an almost heroic stature. Kenneth Griffith – embodying the film's fundamental principle that additional sibilants are all it takes to establish a Spanish atmosphere – is conspicuously bad, and Britt Ekland, whom Robert Parrish relies upon almost entirely to provide the visual interest, provides very little else. Only John Wells, as the poovy Maitre d'Hotel in Louis XV costume, emerges with his professional reputation undamaged. The photography is remarkable for the poor lighting of the studio exteriors and for a repetitive shot of Olimpia's admirers taken through the distorting lens of the peep-hole on her apartment door. Nonetheless, the scene in which she all but makes love to her new Maserati is not without interest.[19]

In another contemporary review for The New York Times, critic Bosley Crowther wrote: "[A]fter sitting dutifully through it, I can tell you what a bobo is. It's a booboo – and that goes not only for the title character, played by a strangely lackluster Mr. Sellers, but also for the film. It's amazing how labored and unfunny is the screenplay of this pseudocomic tale."[20]

Richard Schickel wrote in Time: "There comes a time in the life of every screen comedian when he urgently feels the need to have the adjective 'Chaplinesque' applied to his work. It is a dangerous moment, with the pitfall of pretentiousness yawning on one side, sentimentality on the other and all the psychological hazards of overreaching buzzing in the back of the mind. It is a pleasure to report that Peter Sellers – that excellent fellow – has not only endured this trial, but has mostly prevailed over it."[21]

References

  1. ^ The Bobo profilethemovienetwork.com[dead link]
  2. ^ "The Bobo (1967), a film by Robert Parrish; starring Peter Sellers, Britt Ekland, Rossano Brazzi, Adolfo Celi, Hattie Jacques and Ferdy Mayne".
  3. ^ Hannan, Brian (2016). Coming Back to a Theater Near You: A History of Hollywood Reissues, 1914-2014. Jefferson, North Carolina: McFarland & Company, Inc., p. 178, ISBN 978-1-4766-2389-4.
  4. ^ Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p. 360
  5. ^ "The Bobo". British Film Institute Collections Search. Retrieved 27 December 2023.
  6. ^ Results Much Cheaper: Olimpia. By Burt Cole. 152 pp. New York: The Macmillan Company. $3.50. Mitgang, Herbert. The New York Times 12 July 1959: BR22.
  7. ^ Lucille Ball Ill; 'Wildcat' Halted, The New York Times 7 February 1961: 39.
  8. ^ Romantic Comedy Planned for Fall. The New York Times 17 April 1961: 36.
  9. ^ Carol Channing Signed ror Play: Musical Star Gets Lead in 'King's Mare,' a Comedy. By Sam Zolotow. The New York Times 23 May 1962: 38.
  10. ^ Cinerama Plans 2 More Theatres. By Eugene Archer. The New York Times 25 Aug 1962: 11.
  11. ^ Coming Up: 'Bobo' Sellers: About Movies By A.H. Weiler. The New York Times 22 May 1966: 129.
  12. ^ Top Role for Candy Bergen. Martin, Betty. Los Angeles Times 9 August 1966: c9.
  13. ^ Movie Call Sheet: Team to Produce 14 Films. Martin, Betty. Los Angeles Times 30 November 1966: D16.
  14. ^ Champlin, Charles (14 May 1967). "A Sellers' Market for Comedy: A Sellers' Market for Comedy". Los Angeles Times. p. c1.
  15. ^ Sikov, Ed (2002). Mr. Strangelove. Hyperion. pp. 260–264. ISBN 9780786866649.
  16. ^ Parrish, Robert (1988). Hollywood doesn't live here anymore. Toronto Little, Brown. ISBN 9780316692588.
  17. ^ Billboard - 2 September 1967 - Page 43 Francis Lai, composer of "A Man and a Woman," has come up with another melodical score in Peter Sellers ... With Sammy Cahn's lyrics, the Mexican-oriented music includes vocals and instrumental of the title song, "Imagine" and "The Blue Matador."
  18. ^ The American Film Institute Catalog of Motion Pictures 0520209702 1997 Songs: "Imagine," "The Song of the Blue Matador" Francis Lai, Sammy Cahn
  19. ^ "The Bobo". The Monthly Film Bulletin. 34 (396): 138. 1 January 1967 – via ProQuest.
  20. ^ Crowther, Bosley (1967-09-29). "Screen: 'The Bobo,' With Peter Sellers, Begins Run". The New York Times. p. 53.
  21. ^ "The Bobo (1967) - Articles - TCM.com". Turner Classic Movies.

External links

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