Neil Innes

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Neil Innes
Innes smiling in a large-brimmed hat
Innes in 2009
Born
Neil James Innes

(1944-12-09)9 December 1944
Danbury, Essex, England, United Kingdom
Died29 December 2019(2019-12-29) (aged 75)
Montcuq, Lot, France
Alma materNorwich School of Art
Goldsmiths College
Occupations
  • Comedian
  • musician
  • writer
Years active1960s–2019
Spouse
Yvonne Hilton
(m. 1966)
Children3
Musical career
Genres
Instrument(s)
  • Vocals
  • piano
  • guitar
  • banjo
Websiteneilinnes.media

Neil James Innes (/ˈɪnɪs/; 9 December 1944 – 29 December 2019) was an English writer, comedian and musician. He first came to prominence in the pioneering comedy rock group Bonzo Dog Doo-Dah Band and later became a frequent collaborator with the Monty Python troupe on their BBC television series and films, and is often called the "seventh Python" along with performer Carol Cleveland. He co-created the Rutles, a Beatles parody/pastiche project, with Python Eric Idle, and wrote the band's songs.

Early life

Innes was born in Danbury in Essex. His Scottish father was a warrant officer in the British Army, and Innes spent his childhood in West Germany where his father was deployed with the British Army of the Rhine. He took piano lessons from age 7 to 14 and taught himself to play guitar. His parents were supportive of their children's artistic leanings, and his father also drew and painted. After returning to the United Kingdom, Innes received his formal education at Thorpe Grammar School, the Norwich School of Art and Goldsmiths College, London, where he studied fine art. He graduated with a Bachelor of Arts in Fine Art from Goldsmiths in 1966.[1][2]

Career

The Bonzo Dog (Doo-dah) Band

Innes on Dutch television, 1968

While still at Goldsmiths, Innes joined a semi-professional college band originally called the Bonzo Dog Dada Band (after Bonzo the dog, an illustrated cartoon character from the 1920s, and the art movement Dada), which was later renamed the Bonzo Dog Doo-Dah Band after the group tired of constantly explaining the concept of Dada to confused onlookers (and later still the band name was officially shortened to the Bonzo Dog Band). At this point the band, which then had a revolving membership of anything up to a dozen players at a time, largely performed a dada-influenced, deliberately shambolic, comedic repertoire of trad-jazz cover versions at local public houses and college events, to the delight and occasional bemusement of audiences.

Innes had met the band's co-founders Vivian Stanshall and Rodney Slater some time earlier when they and bandmate "Legs" Larry Smith were studying at the Central School of Art,[3][4] but Innes' official entry into the band was actually facilitated by his then-landlord and college tutor, Vernon Dudley Bohay-Nowell, who just happened to also be the band's bass guitarist at the time. Innes' induction into the band proved to be fundamental to their eventual success when he brought a more focused and disciplined musical direction to their efforts, with his talents as a composer, arranger and multi-instrumentalist. At the band's creative peak in 1968 and 1969, Innes, alone and together with Stanshall, composed most of the band's original material, including his solo composition (and sole Bonzos hit) "I'm the Urban Spaceman",[5] (produced by Apollo C. Vermouth, a collective alias for Paul McCartney and Gus Dudgeon),[6] and "Death Cab for Cutie" (with lyrics by Stanshall), which featured in the Beatles' film Magical Mystery Tour (1967).[7] Innes won an Ivor Novello Award for Best Novel(ty) Song in 1968 for "I'm the Urban Spaceman".

During the same creatively-fertile 1968/69 period, Innes and the Bonzo Dog Band also appeared each week in both seasons of the British children's television series Do Not Adjust Your Set which also featured future Monty Python members Eric Idle, Terry Jones, Michael Palin and Terry Gilliam.[8] Although initially intended to appeal solely to children, the show's surreal and absurdist nature soon also attracted a large adult following.

After the break-up of the Bonzo Dog Band in early 1970, Innes joined with former Dog Band bassist Dennis Cowan, drummer Ian Wallace and guitarist Roger McKew to form The World, a band hoping for "more commercial" success with music ranging from rock to pure pop, yet still retaining some Doo-Dah flavour and even some of the humour. However, by the time their sole album, Lucky Planet, was released in late 1970 the members had already disbanded and were moving on to other projects.

GRIMMS and Monty Python

The 1970s proved to be a highly prolific decade for Innes as a solo artist, band member and live stage and television performer.

In 1971, Innes briefly reunited with most of his former Bonzo Dog Band colleagues to record their reunion/contractual obligation album Let's Make Up and Be Friendly, and he, Vivian Stanshall and Dennis Cowan also formed a short-lived touring band named Freaks with Keith Moon on drums. This in turn led Innes and Stanshall to a union with The Scaffold and other musicians, poets and performers later that year as GRIMMS. While Stanshall effectively bowed out of this group soon after its formation, Innes remained as one of the permanent core members for the next five years, working with Andy Roberts, Roger McGough, John Gorman, Mike McGear, Dave Richards, Brian Patten, Adrian Henri, John Megginson, future Rutles bandmates Ollie Halsall and John Halsey, and Gerry Conway (among many others). Although GRIMMS was initially conceived purely as a touring revue-type ensemble, early 1973 saw the release of their self-titled live album, followed by a second studio-recorded album Rockin' Duck at the end of the same year. GRIMMS remained an informal enough setup throughout this period to allow the various members to come and go as they pleased and continue with their own outside musical, performing and literary careers, and in 1973 Innes also recorded his debut solo album How Sweet To Be An Idiot, aided and abetted by various GRIMMS. The group also undertook regular and extensive tours of the UK university and theatre circuit throughout its existence, releasing a book of humorous poetry, lyrics and photographs in 1974 entitled Clowns On The Road detailing some of their experiences. The final GRIMMS studio LP Sleepers was released in 1976, after which their activities as a group ceased.[9]

In the mid-1970s, Innes became closely associated with the Monty Python team, having first worked with Michael Palin, Terry Jones and Eric Idle on the 1960s television show Do Not Adjust Your Set. He contributed music to the Monty Python albums Monty Python's Previous Record (1972) and The Monty Python Matching Tie and Handkerchief (1973), and played a major role in performing and writing songs and sketches for their final TV series in 1974, after John Cleese temporarily left the troupe. He wrote a squib of a song called "George III" for the episode "The Golden Age of Ballooning", which was sung by the Flirtations but billed onscreen as the Ronettes. He also wrote the song "When Does a Dream Begin?", used in "Anything Goes: The Light Entertainment War". He co-wrote the "Most Awful Family in Britain" sketch and played a humorous stilted guitar version of the theme song, "The Liberty Bell" march, during the credits of the last episode, "Party Political Broadcast". He is one of only two non-Pythons ever to be credited writers for the TV series, the other being Douglas Adams (who co-wrote the "Patient Abuse" sketch, also featured in "Party Political Broadcast").

He appeared on stage with the Pythons in the UK and Canada in 1973, in London in 1974 and in New York City in 1976, performing the Bob Dylanesque "Protest Song" (complete with harmonica) on the album Monty Python Live at City Center. He was introduced as Raymond Scum. After his introduction he told the audience, "I've suffered for my music. Now it's your turn." In 1980, he travelled to the States with the Pythons again, subsequently appearing in Monty Python Live at the Hollywood Bowl. He performed the songs "How Sweet to Be an Idiot" and "I'm the Urban Spaceman". He also appeared as one of the singing "Bruces" in the Philosopher Sketch and as a Church Policeman in the "Salvation Fuzz" sketch.

Innes wrote original songs for the film Monty Python and the Holy Grail (1975), such as "Knights of the Round Table" and "Brave Sir Robin". He appeared in the film as a head-bashing monk, the serf crushed by the giant wooden rabbit, and the leader of Sir Robin's minstrels. He also had small roles in Terry Gilliam's Jabberwocky (1977) and Monty Python's Life of Brian (1979), and performed the whistling on the latter's hit song, "Always Look on the Bright Side of Life".[10] His collaborations with Monty Python and other artists were documented in the musical film The Seventh Python (2008), which premiered at the Mods & Rockers Film Festival on 26 June 2008.[11][12]

Rutland Weekend Television, The Rutles, and The Innes Book of Records

The Rutles

After Monty Python finished its original run on UK television, Innes joined Eric Idle on the series Rutland Weekend Television. This was a Pythonesque sketch show based in a fictional low-budget regional television station, which ran for two seasons in 1975–76. Songs and sketches from the series appeared on a 1976 BBC LP, The Rutland Weekend Songbook. One short sketch on the show spawned the Rutles (the "prefab four"), which was an affectionate pastiche of the Beatles. In the sketch Innes portrayed the character of Ron Nasty, a character based on John Lennon, while Idle portrayed Dirk McQuickly (a character based on Paul McCartney), and the fictional group briefly performed 'I Must Be In Love', a suitably Beatlesque pastiche written by Innes.

Eric Idle later played a videotape of the Rutles sketch on Saturday Night Live in 1976 during an appearance as guest host, and the favourable response led to a 1978 American-made spin-off TV movie, All You Need Is Cash, with Innes and Idle again playing Nasty and McQuickly. [13] While Idle and Innes co-created the original Rutles sketch concept, Idle wrote the screenplay for the film on his own, and Innes composed all of the songs for the project without any input from Idle (Dirk McQuickly's musical contributions on the soundtrack were performed by guitarist/vocalist Ollie Halsall while Idle lip-synched them in the film). Innes' songs consequently appeared on the soundtrack album The Rutles, released by Warner Bros in 1978.

The songs written by Innes so closely pastiched the original source material that he was consequently taken to court by the owners of the Beatles' catalogue. Innes had to testify under oath that he had not listened to the songs at all while composing the Rutles' songs, but had created them completely originally based on what he remembered various songs by the Beatles sounding like at different times. However the court ruled in favour of ATV music and forced Co- writing credits and royalties. Many years later, Innes' own music publisher demanded a co-writing credit for Innes from Beatles-influenced band Oasis, for their 1994 song "Whatever", as it directly lifted parts of its melody from Innes' 1973 song "How Sweet to Be an Idiot". This event was subsequently referenced in the Rutles' song "Shangri-La" on their 1996 reunion album The Rutles Archaeology, which was itself a parody of The Beatles Anthology.

After Rutland Weekend Television, Innes made a solo series in 1979 on BBC television, The Innes Book of Records, which ran for three series until 1981. The series offered an early example of music-video presentation, albeit on a shoestring BBC budget, centred around new recordings of many of Innes' older compositions along with new material written specially for the show. In keeping with Innes' usual whimsically surreal style, each episode was linked by a loose and often absurdist theme and also featured an eccentric guest performer (such as Stanley Unwin or Percy Edwards) or musician (such as Ivor Cutler or Jake Thackray). Innes' former bandmate Vivian Stanshall also appeared in one episode, reciting his own surrealist monologue about the English seaside.

Other television work

During the 1980s, Innes delved into children's entertainment. This new career path began when he took over from Tom Baker as host of Yorkshire TV's The Book Tower for the ITV network. He went on to play the role of the Magician in the live-action children's television series Puddle Lane, also made by Yorkshire Television. He also wrote and voiced the 1980s children's cartoon adventures of The Raggy Dolls, a motley collection of "rejects" from a toy factory. The 65 episodes for Yorkshire Television included the characters Sad Sack, Hi-Fi, Lucy, Dotty, Back-to-Front, Princess and Claude.

He also composed and performed original music and songs for children's television, including Puddle Lane, The Raggy Dolls, The Riddlers and Tumbledown Farm. He brought Monty Python's Terry Jones's book Fairy Tales to television as East of the Moon. He contributed all the stories and music on this production. He was also involved with the popular children's show Tiswas.

Reunion concerts

At the time of The Beatles Anthology CDs, there was a revival of interest in the Rutles and a new album was released in 1996 entitled Archaeology.

In 1998, Innes hosted a 13-episode television series for Anglia Television, called Away with Words, in which he travelled to different areas of Britain to explore the origins of well-known words and phrases.[14]

Innes took part, along with the remaining Monty Python members, in the 2002 Concert for George, in memory of George Harrison.[15]

Innes was occasionally heard (often as the butt of jokes) standing in as the pianist for the BBC Radio 4 panel game I'm Sorry I Haven't a Clue.[16]

Innes toured the UK in 2006 and produced a new Bonzo CD as part of the Bonzo Dog Band's 40th Anniversary tour. In 2008 he undertook the Neil Innes and Fatso 30th Anniversary tour,[17] playing predominantly Rutles numbers with a few Bonzos and Python items.

The Idiot Bastard Band

In late 2010, Innes announced the formation of the Idiot Bastard Band, a comedy musical collective featuring himself, Adrian Edmondson, Phill Jupitus, Simon Brint and Rowland Rivron.[18] The band debuted, with an 8-week residency, at the Wilmington Arms in Clerkenwell, London in December, playing a range of comedy songs old and new, with deliberately little rehearsal.[19]

New concerts were scheduled in 2011. Jupitus was unable to attend due to prior commitments and was replaced by several special guests, including Paul Whitehouse, Barry Cryer and Nigel Planer.[20] Following the death of Brint, the band performed a further tour in 2012. The band's name is a play on Frank Zappa's song The Idiot Bastard Son.

Personal life and death

While a student at Goldsmiths College, London, in the mid-1960s Innes met Yvonne Catherine Hilton; they married on 3 March 1966. The couple had three sons, Miles (b. 1967), Luke (b. 1971), and Barney (b. 1978).[21][1]

Innes died of a heart attack on 29 December 2019 at Montcuq, Lot, France, where he had lived for several years.[22][5][23] Fellow entertainers, including John Cleese and Stephen Fry, paid tribute to him.[24] The League of Gentlemen star Mark Gatiss also paid tribute to Innes. Comedian Diane Morgan called him "one of the nicest people I’ve ever met and a towering talent," and director Edgar Wright said he was "forever a fan" of Innes.[25]

Discography

Singles

Release date Title Label and catalogue[26]
1973 "How Sweet to Be an Idiot"/"The Age of Desperation" United Artists UP 35495
1973 "Momma B"/"Immortal Invisible" United Artists UP 35639
1974 "Re-cycled Vinyl Blues"/"Fluff on the Needle" United Artists UP 356756
1974 "Lie Down and Be Counted"/"Bandwagon" United Artists UP 35745
1975 "What Noise Annoys a Noisy Oyster"/"Oo-Chuck-A-Mao-Mao" United Artists UP UP35722
1977 "Lady Mine"/"Crystal Balls" Arista ARISTA 106
1977 "Silver Jubilee (A Tribute)"/"Drama on a Saturday Night" Arista ARISTA 123
1978 "Protest Song"/"The Hard-To-Get" Warner Brothers K 17182
1979 "Amoeba Boogie"/"Theme" Polydor POSP 107
1979 "Kenny and Liza"/"Human Race" Polydor 2059 207
1982 "Them"/"Rock of Ages" MMC MMC 100
1982 "Mr. Eurovision"/"Ungawa" MMC MMC 103
1984 "Humanoid Boogie"/"Libido"[27] PRT 7P 298/12P 298
2009 "Imitation Song" Neil Innes Music
2014 "Rio" (with The Values) East Central One/iTunes

Solo albums

The Bonzo Dog Doo-Dah Band

The World

  • Lucky Planet (1970)

GRIMMS

Books

  • "Gloom, Doom & Very Funny Money: Economics For Half-wits"
    • published:29 October 1992 (Hardback & Paperback)
    • publisher:Piccadilly Press Ltd.

with GRIMMS:

  • "Clowns On The Road"
    • published: 3 October 1974 (Paperback)
    • publisher: Methuen Publishing Ltd.

The Raggy Dolls series with Melvyn Jacobsen:

  • "Hot Air Balloon" (25 January 1990)
  • "Moving House" (25 January 1990)
  • "Royal Tour" (25 January 1990)
  • "A Trip To The Sea" (25 January 1990)
  • "In Days Of Old" (18 October 1990)
  • "Stolen Parrot" (18 October 1990)
  • "Treehouse" (18 October 1990)
  • "We Are Not Amused" (18 October 1990)
  • "The Raggy Dolls Activity Book" (30 November 1990)
    • all published in paperback
    • all published by:Boxtree Ltd.

with John Dowie:

  • "Dogman: A Comedy Musical Story For Children"
    • published:4 April 2007 ( Audio book with paperback book edition)
    • published by:Laughing Stock Productions Ltd.
      • story by John Dowie, narrated by Phil Jupitus, with songs by Neil innes

References

Citations

  1. ^ a b "Neil Innes". MSN Music. Archived from the original on 10 August 2011. Retrieved 23 November 2011.
  2. ^ "FAQ". neilinnes.org. Archived from the original on 23 July 2008.
  3. ^ The Bonzo Dog Doo Dah Band - Jollity Farm. Coda Books Ltd. ISBN 9781908538604 – via Google Books.
  4. ^ John Albert Walker (1994). L'immagine pop. Musica e arti visive da Andy Warhol alla realtà virtuale (in Italian; translation of Cross-overs: Art into Pop, Pop into Art). Torino: E.D.T. Edizioni. ISBN 88-7063-213-X. p. 12. Accessed August 2013.
  5. ^ a b "Monty Python songwriter Neil Innes dies aged 75". BBC News. 30 December 2019.
  6. ^ Everett 1999, p. 151.
  7. ^ Everett 1999, p. 132.
  8. ^ Reinsch, Whitfield & Weiner 2017, p. 145.
  9. ^ "Grimms Page". Andyrobertsmusic.com. Archived from the original on 29 September 2011. Retrieved 23 November 2011.
  10. ^ Welch, Chris (30 December 2019). "Neil Innes obituary". The Guardian. Retrieved 31 December 2019.
  11. ^ "Neil Innes is the Seventh Python". Theseventhpythonmovie.com. Retrieved 27 September 2014.
  12. ^ "The Seventh Python". IMDb. 26 June 2008. Retrieved 27 September 2014.
  13. ^ Everett 1999, p. 305.
  14. ^ "Away with Words". neilinnes.org. Archived from the original on 1 November 2014.
  15. ^ "Concert for George". concertforgeorge.com. Archived from the original on 7 July 2013.
  16. ^ Roberts, Jem (2010). The Fully Authorised History of I'm Sorry I Haven't A Clue. Random House. p. 340. ISBN 9781848091320. Retrieved 4 May 2016.
  17. ^ Neil Innes & Fatso Archived 12 October 2017 at the Wayback Machine Retrieved 7 October 2008
  18. ^ "The Idiot Bastard Band – Adrian Edmondson". adrianedmondson.co.uk. Archived from the original on 26 March 2012. Retrieved 1 November 2014.
  19. ^ "The Idiot Bast**d Band| Wyvern Theatre, Swindon". Swindontheatres.co.uk. Retrieved 30 December 2019.
  20. ^ "The Idiot Bastard Band". The Idiot Bastard Band. Retrieved 23 November 2011.
  21. ^ "Words of Innespiration – The Lyrics & Unplanned Career of Neil Innes". Neilinnes.org. Archived from the original on 13 November 2002. Retrieved 23 November 2011.
  22. ^ Genzlinger, Neil (30 December 2019). "Neil Innes, a Master of Musical Humor, Dies at 75". The New York Times. Retrieved 30 December 2019.
  23. ^ "Monty Python musician Neil Innes dies, aged 75". Evening Standard. 30 December 2019.
  24. ^ McGrath, Rachel (30 December 2019). "John Cleese leads tributes to 'towering talent' Neil Innes after Monty Python collaborator's death aged 75". Evening Standard. Retrieved 30 December 2019.
  25. ^ Beaumont-Thomas, Ben (30 December 2019). "Neil Innes, Rutles star and 'seventh Python', dies aged 75". The Guardian.
  26. ^ Barbour, Danny (November 1994). "Neil Innes". Record Collector (183): 148–149.
  27. ^ picture sleeve, also released as a 12"

Sources

  • Everett, Walter (1999). The Beatles as Musicians: Revolver Through the Anthology. Oxford University Press. ISBN 978-0-195-12941-0.
  • Reinsch, Paul; Whitfield, B. Lynn; Weiner, Robert (2017). Python beyond Python: Critical Engagements with Culture. Springer. ISBN 978-3-319-51385-0.

External links

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