The Knack ...and How to Get It: Difference between revisions

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==Production==
==Production==
After seeing [[Ann Jellicoe]]'s play ''The Knack'', the producers envisioned a film adaptation. They offered the position of director to [[Lindsay Anderson]], who refused.<ref name="Steiner">{{Cite web|url=http://www.tcm.com/this-month/article/84070%7C0/The-Knack-And-How-To-Get-It.html |title=The Knack ...and How to Get It |last=Steiner |first=Richard |access-date=7 June 2017 |work=[[Turner Classic Movies]]}}</ref>
After seeing [[w:Ann Jellicoe|Ann Jellicoe]]'s play ''The Knack'', the producers envisioned a film adaptation. They offered the position of director to [[w:Lindsay Anderson|Lindsay Anderson]], who refused.<ref name="Steiner">{{Cite web|url=http://www.tcm.com/this-month/article/84070%7C0/The-Knack-And-How-To-Get-It.html |title=The Knack ...and How to Get It |last=Steiner |first=Richard |access-date=7 June 2017 |work=[[w:Turner Classic Movies|Turner Classic Movies]]}}</ref>


Having worked with [[The Beatles]] on ''[[A Hard Day's Night (film)|A Hard Day's Night]]'', Lester was another candidate for director, and agreed to take the position.<ref name="Steiner"/> Lester made major changes to the play, adding his own touch through [[direct address]], unexpected oddly-edited sequences, humorous subtitles, and a [[Greek chorus]] of disapproving members of "the older generation."{{citation needed|date=June 2017}} Filming took place in a few weeks in November and early December 1964, and Lester employed television advertising techniques.<ref name="Steiner"/> Talking about the film in the 1980s, actor [[Ray Brooks (actor)|Ray Brooks]] said: {{cquote|He’s a very visual man...They reckon that you could take any frame from ''[[Help! (film)|Help]]'', ''The Knack'', and ''[[A Hard Day's Night (film)|A Hard Day’s Night]]'' and you could put it on the cover of Time/Life. Everything was so beautifully shot."<ref>[http://www.chrishunt.biz/feature24.html ''Ray Brooks interview''] by [[Chris Hunt]]</ref>}}
Having worked with [[w:The Beatles|The Beatles]] on ''[[w:A Hard Day's Night (film)|A Hard Day's Night]]'', Lester was another candidate for director, and agreed to take the position.<ref name="Steiner"/> Lester made major changes to the play, adding his own touch through [[w:direct address|direct address]], unexpected oddly-edited sequences, humorous subtitles, and a [[w:Greek chorus|Greek chorus]] of disapproving members of "the older generation". Filming took place in a few weeks in November and early December 1964, and Lester employed television advertising techniques.<ref name="Steiner"/> Talking about the film in the 1980s, actor [[w:Ray Brooks (actor)|Ray Brooks]] said: {{cquote|He’s a very visual man...They reckon that you could take any frame from ''[[w:Help! (film)|Help!]]'', ''The Knack'', and ''[[w:A Hard Day's Night (film)|A Hard Day’s Night]]'' and you could put it on the cover of Time/Life. Everything was so beautifully shot."<ref>[http://www.chrishunt.biz/feature24.html ''Ray Brooks interview''] by [[w:Chris Hunt|Chris Hunt]]</ref>}}


Lester himself makes a brief cameo as an annoyed bystander. [[John Barry (composer)|John Barry]] contributed the jazzy score, which features a memorable organ solo by [[Alan Haven]]. [[Jane Birkin]], [[Charlotte Rampling]], and [[Jacqueline Bisset]] all made their first cinematic appearances in the film as extras, together with ''[[Top of the Pops]]'' disc girl [[Samantha Juste]].
Lester himself makes a brief cameo as an annoyed bystander. [[w:John Barry (composer)|John Barry]] contributed the jazzy score, which features a memorable organ solo by [[w:Alan Haven|Alan Haven]]. [[w:Jane Birkin|Jane Birkin]], [[w:Charlotte Rampling|Charlotte Rampling]], and [[w:Jacqueline Bisset|Jacqueline Bisset]] all made their first cinematic appearances in the film as extras, together with ''[[w:Top of the Pops|Top of the Pops]]'' disc girl [[w:Samantha Juste|Samantha Juste]].


==Reception==
==Reception==

Revision as of 22:22, 8 January 2023

The Knack …and How to Get It
The Knack …and How to Get It film poster.jpg
Theatrical poster
Directed byRichard Lester
Written byCharles Wood
Produced byOscar Lewenstein
StarringRita Tushingham
Ray Brooks
Michael Crawford
Donal Donnelly
CinematographyDavid Watkin
Edited byAntony Gibbs
Music byJohn Barry
Production
company
Distributed byUnited Artists Corporation
Release date
3 June 1965 (1965-06-03)
Running time
85 minutes
CountryUnited Kingdom
LanguageEnglish
Budget$364,000[1][2]
Box office$2.5 million (US)[1]

The Knack …and How to Get It is a 1965 British comedy film directed by Richard Lester and starring Rita Tushingham, Ray Brooks, Michael Crawford, and Donal Donnelly. The screenplay by Charles Wood is based on a play of the same name by Ann Jellicoe. The film is considered emblematic of the Swinging London cultural phenomenon.

The film premiered in-competition at the 1965 Cannes Film Festival, and won the Palme d'Or and the Technical Grand Prize. At the 19th British Academy Film Awards, the film was nominated in six categories, including BAFTA Award for Best Film and Outstanding British Film. Rita Tushingham was nominated for a Golden Globe Award for Best Actress – Motion Picture Comedy or Musical, and the film was nominated for Best English-Language Foreign Film.

Plot

Colin is a nervous schoolteacher working in London, observing rather than participating in the sexual revolution of the 1960s. He has little personal sexual experience and wishes to gain "the knack": in this case meaning a way to seduce women. He turns to a friend, a confident, womanizing drummer known only by his surname, Tolen. Tolen gives him unhelpful advice to consume more protein and use intuition, acknowledging intuition is not something that can be completely learned, and advocates the importance of domination of women. He then suggests that Colin should move into his home, where he and another friend "share" women.

Colin boards the front door shut. The third flatmate, Tom, is obsessed with painting everything white... including the windowpanes. Due to the blocked door Tolen brings his girls in through the window. Colin swaps his single bed for a fancy old double wrought iron bed which he finds in a scrapyard with Tom. Nancy meets Colin at the scrapyard. Nancy is an inexperienced and shy young woman who has arrived to London from out of town, and is searching for the YWCA. She stops by a clothing store and is won over by the flattery of the clerk, until she overhears him repeating the same words to every female customer.

From the scrapyard the three take the bed on a complex and zany journey back to the house. This includes parking it at a parking meter, moving it on a car transporter and carrying it down the steps of the Royal Albert Hall.

In a public space, Tolen sexually assaults Nancy, who at first is silent then faints. When she wakes up, she begins claiming she was raped, though this was not the case. Tolen, Colin and their friends find themselves unable to restrain her from loudly repeating the allegations, or puncturing the tyres of Tolen's motorcycle, and she runs back to the residence, where she throws Tolen's records out of the window and strips naked. The men become convinced her rape allegations reflect rape fantasy and urge Tolen to have sex with her. When Nancy emerges from the room wearing only a robe, she instead expresses more attraction to Colin, and he returns the interest. The two begin living together.

Cast

Production

After seeing Ann Jellicoe's play The Knack, the producers envisioned a film adaptation. They offered the position of director to Lindsay Anderson, who refused.[3]

Having worked with The Beatles on A Hard Day's Night, Lester was another candidate for director, and agreed to take the position.[3] Lester made major changes to the play, adding his own touch through direct address, unexpected oddly-edited sequences, humorous subtitles, and a Greek chorus of disapproving members of "the older generation". Filming took place in a few weeks in November and early December 1964, and Lester employed television advertising techniques.[3] Talking about the film in the 1980s, actor Ray Brooks said:

He’s a very visual man...They reckon that you could take any frame from Help!, The Knack, and A Hard Day’s Night and you could put it on the cover of Time/Life. Everything was so beautifully shot."[4]

Lester himself makes a brief cameo as an annoyed bystander. John Barry contributed the jazzy score, which features a memorable organ solo by Alan Haven. Jane Birkin, Charlotte Rampling, and Jacqueline Bisset all made their first cinematic appearances in the film as extras, together with Top of the Pops disc girl Samantha Juste.

Reception

In The New York Times, Bosley Crowther positively reviewed it as "delightfully mobile" and a "frenziedly running, jumping picture".[5] Variety praised the performances, citing Rita Tushingham as perfect in her role.[6]

In 2016, The Hollywood Reporter ranked it the 49th best film to win the Palme d'Or, stating it "hasn't aged well" but the setting was a great asset.[7] In 2001, the Wallflower Critical Guide noted the creativity in cinematography and editing, but said it disrupted the storytelling.[8]

Accolades

The film was entered into competition at the 1965 Cannes Film Festival,[9] where it won the Palme d'Or.[10]

Award Date of ceremony Category Recipient(s) Result Ref(s)
Belgian Film Critics Association 1966 Grand Prix Richard Lester Won [11]
British Academy Film Awards 1966 Best British Film Nominated [12]
Best Film from Any Source Nominated
Best Screenplay Charles Wood Nominated
Best Actress Rita Tushingham Nominated
Best Cinematography, Black and White David Watkin Nominated
Most Promising Newcomer Michael Crawford Nominated
Cannes Film Festival 3 – 16 May 1965 Palme d'Or Richard Lester Won [10]
Golden Globe Awards 28 February 1966 Best Actress – Comedy or Musical Rita Tushingham Nominated [13]
Best Foreign Film, English Language Richard Lester Nominated
Writers' Guild of Great Britain 10 March 1966 Best British Documentary Film or Short Script Charles Wood Won [14]

References

  1. ^ a b Michael Deeley, Blade Runners, Deer Hunters and Blowing the Bloody Doors Off: My Life in Cult Movies, Pegasus Books, 2009 p 31
  2. ^ Tino Balio, United Artists: The Company That Changed the Film Industry, University of Wisconsin Press, 1987 p. 245
  3. ^ a b c Steiner, Richard. "The Knack ...and How to Get It". Turner Classic Movies. Retrieved 7 June 2017.
  4. ^ Ray Brooks interview by Chris Hunt
  5. ^ Crowther, Bosley (30 June 1965). "Screen: 'The Knack' Opens at Plaza:Director Gives Pace to Off-Beat Story". The New York Times. Retrieved 7 June 2017.
  6. ^ Staff (31 December 1964). "Review: 'The Knack … And How to Get It'". Variety. Retrieved 7 June 2017.
  7. ^ Staff (10 May 2016). "Cannes: All the Palme d'Or Winners, Ranked". The Hollywood Reporter. Retrieved 7 June 2017.
  8. ^ Yoram Allon; Del Cullen; Hannah Patterson, eds. (2001). Contemporary British and Irish Film Directors: A Wallflower Critical Guide. Wallflower Press. p. 199. ISBN 1903364213.
  9. ^ "Festival de Cannes: The Knack …and How to Get It". festival-cannes.com. Retrieved 7 June 2017.
  10. ^ a b "Cannes 2011: all the Palme d'Or winners". The Guardian. May 2011. Retrieved 7 June 2017.
  11. ^ "Richard Lester, The Knack". Cinémathèque royale de Belgique. Retrieved 7 June 2017.
  12. ^ "Film in 1966". British Academy of Film and Television Arts. Retrieved 7 June 2017.
  13. ^ "The Knack". Hollywood Foreign Press Association. Retrieved 7 June 2017.
  14. ^ "Writers' Guild Awards 1965". Writers' Guild of Great Britain. Retrieved 7 June 2017.

External links

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