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==Career==
==Career==
Lom's film debut was in the [[Cinema of the Czech Republic|Czech film]] ''Žena pod křížem'' ("A Woman Under Cross", 1937) followed by the ''Boží mlýny'' ("Mills of God", 1938). His early film appearances were mainly supporting roles, with the occasional top billing. At this time he also changed his surname to Lom ("breakage" or "quarry" in [[Czech language|Czech]]) because it was the shortest he found in a local telephone directory.{{citation needed|date=July 2018}}
Lom's film debut was in the [[Cinema of the Czech Republic|Czech film]] ''Žena pod křížem'' ("A Woman Under Cross", 1937) followed by the ''Boží mlýny'' ("Mills of God", 1938). His early film appearances were mainly supporting roles, with the occasional top billing. At this time he also changed his surname to Lom ("breakage" or "quarry" in [[Czech language|Czech]]) because it was the shortest he found in a local telephone directory.


Due to the [[German occupation of Czechoslovakia|occupation of Czechoslovakia]] by [[Nazi Germany]], Poland and Hungary in 1938–39, Lom emigrated to Britain in 1939. He made numerous appearances in British films throughout the 1940s, usually in villainous roles, although he later appeared in comedies as well. Despite his mother's Jewish ancestry, Lom's parents survived to join him in England.   
Due to the [[German occupation of Czechoslovakia|occupation of Czechoslovakia]] by [[Nazi Germany]], Poland and Hungary in 1938–39, Lom emigrated to Britain in 1939. He made numerous appearances in British films throughout the 1940s, usually in villainous roles, although he later appeared in comedies as well. Despite his mother's Jewish ancestry, Lom's parents survived to join him in England.   
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Lom starred as the King of Siam in the original London production of [[Rodgers and Hammerstein]]'s musical ''[[The King and I]].'' Opening at the [[Theatre Royal, Drury Lane|Drury Lane Theatre]] on 8{{nbsp}}October 1953, it ran for 926 performances.<ref>Stanley Green, ''Encyclopedia of the Musical Theatre,'' (New York, 1976: Dodd, Mead & Company, rpt. Cambridge, Massachusetts: Da Capo Press, 1980), p. 233.</ref> He can be heard on the cast recording.
Lom starred as the King of Siam in the original London production of [[Rodgers and Hammerstein]]'s musical ''[[The King and I]].'' Opening at the [[Theatre Royal, Drury Lane|Drury Lane Theatre]] on 8{{nbsp}}October 1953, it ran for 926 performances.<ref>Stanley Green, ''Encyclopedia of the Musical Theatre,'' (New York, 1976: Dodd, Mead & Company, rpt. Cambridge, Massachusetts: Da Capo Press, 1980), p. 233.</ref> He can be heard on the cast recording.
A few years later, he appeared opposite [[Alec Guinness]] and [[Peter Sellers]] in ''[[The Ladykillers (1955 film)|The Ladykillers]]'' (1955); and with [[Robert Mitchum]], [[Jack Lemmon]] and [[Rita Hayworth]] in ''[[Fire Down Below (1957 film)|Fire Down Below]]'' (1957). He went on to more film success in the 1960s with a wide range of parts, including ''[[Spartacus (film)|Spartacus]]'' (1960); ''[[El Cid (film)|El Cid]]'' (1961); ''[[Mysterious Island (1961 film)|Mysterious Island]]'' (also 1961), as Captain Nemo; and [[Hammer Films]]' remake of ''[[The Phantom of the Opera (1962 film)|The Phantom of the Opera]]'' (1962), in which Lom had the leading role, wearing a full-face Phantom mask. "It was wonderful to play such a part," he said, "but I was disappointed with the picture... This version of the famous [[Gaston Leroux]] story dragged. The Phantom wasn't given enough to do, but at least I wasn't the villain, for a change. [[Michael Gough]] was the villain."   {{Citation needed|date=August 2015}}
A few years later, he appeared opposite [[Alec Guinness]] and [[Peter Sellers]] in ''[[The Ladykillers (1955 film)|The Ladykillers]]'' (1955); and with [[Robert Mitchum]], [[Jack Lemmon]] and [[Rita Hayworth]] in ''[[Fire Down Below (1957 film)|Fire Down Below]]'' (1957). He went on to more film success in the 1960s with a wide range of parts, including ''[[Spartacus (film)|Spartacus]]'' (1960); ''[[El Cid (film)|El Cid]]'' (1961); ''[[Mysterious Island (1961 film)|Mysterious Island]]'' (also 1961), as Captain Nemo; and [[Hammer Films]]' remake of ''[[The Phantom of the Opera (1962 film)|The Phantom of the Opera]]'' (1962), in which Lom had the leading role, wearing a full-face Phantom mask. "It was wonderful to play such a part," he said, "but I was disappointed with the picture... This version of the famous [[Gaston Leroux]] story dragged. The Phantom wasn't given enough to do, but at least I wasn't the villain, for a change. [[Michael Gough]] was the villain."


During this period, Lom starred in his only regular TV series, the British drama ''[[The Human Jungle (TV series)|The Human Jungle]]'' (1963–64), playing a [[Harley Street]] [[psychiatrist]] for two series. He starred in another low-budget horror film, the witch-hunting story ''[[Mark of the Devil (1970 film)|Mark of the Devil]]'' (''Hexen bis aufs Blut gequält'', 1970), with unusually graphic torture scenes. Cinemas reportedly handed out sick bags at screenings.<ref>{{cite web |url=http://www.esplatter.com/reviewshton/markofthedevil.htm |title=Esplatter.com |publisher=Esplatter.com |access-date=16 November 2011 |url-status=dead |archive-url=https://web.archive.org/web/20111116084720/http://esplatter.com/reviewshton/markofthedevil.htm |archive-date=16 November 2011 }}</ref> Lom appeared in other horror films made in both the US and UK, including ''[[Asylum (1972 horror film)|Asylum]]'', ''[[And Now the Screaming Starts!]]'', ''[[Murders in the Rue Morgue (1971 film)|Murders in the Rue Morgue]]'' and ''[[The Dead Zone (film)|The Dead Zone]]''.
During this period, Lom starred in his only regular TV series, the British drama ''[[The Human Jungle (TV series)|The Human Jungle]]'' (1963–64), playing a [[Harley Street]] [[psychiatrist]] for two series. He starred in another low-budget horror film, the witch-hunting story ''[[Mark of the Devil (1970 film)|Mark of the Devil]]'' (''Hexen bis aufs Blut gequält'', 1970), with unusually graphic torture scenes. Cinemas reportedly handed out sick bags at screenings.<ref>{{cite web |url=http://www.esplatter.com/reviewshton/markofthedevil.htm |title=Esplatter.com |publisher=Esplatter.com |access-date=16 November 2011 |url-status=dead |archive-url=https://web.archive.org/web/20111116084720/http://esplatter.com/reviewshton/markofthedevil.htm |archive-date=16 November 2011 }}</ref> Lom appeared in other horror films made in both the US and UK, including ''[[Asylum (1972 horror film)|Asylum]]'', ''[[And Now the Screaming Starts!]]'', ''[[Murders in the Rue Morgue (1971 film)|Murders in the Rue Morgue]]'' and ''[[The Dead Zone (film)|The Dead Zone]]''.
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==External links==
==External links==
{{wikiquote}}
* {{IMDb name|7042}}
* {{IMDb name|7042}}
* {{Tcmdb name}}
* {{Tcmdb name}}

Latest revision as of 15:00, 25 August 2024

Herbert Lom
Herbert Lom.webp
Born
Herbert Charles Angelo Kuchačevič ze Schluderpacheru

(1917-09-11)11 September 1917
Prague, Kingdom of Bohemia, Austria-Hungary
Died27 September 2012(2012-09-27) (aged 95)
Camden, London, England
Nationality
  • British
  • Czech
OccupationActor
Years active1937–2002
Spouse
Dina Schea
​
​
(m. 1948; div. 1961)​
Eve Lacik
​
​
(m. 1962; div. 1990)​
Children3

Herbert Charles Angelo Kuchačevič ze Schluderpacheru (11 September 1917 – 27 September 2012), known professionally as Herbert Lom (Czech pronunciation: [ɦɛrbɛrt lom]), was a Czech-British actor who moved to the United Kingdom in 1939. In a career lasting more than 60 years, he generally appeared in character roles, often portraying criminals or suave villains in his younger years, and professional men as he aged. Highly versatile, he proved a skilled comic actor in The Pink Panther franchise, as Chief Inspector Dreyfus.

Lom was noted for his precise, elegant enunciation of English.[1] He is best known for his roles in The Ladykillers, The Pink Panther film series, War and Peace and the television series The Human Jungle.

Early life and education

Lom was born in Prague to Karl Kuchačevič ze Schluderpacheru and Olga Gottlieb. His mother was of Jewish ancestry.[2] His ancestor, Christian Schluderpacher, a burgher of Bozen, was ennobled in 1601.[3][4][2] Lom's family were comfortable, but not grandly aristocratic. His grandfather owned property in Prague and Šumava, with his income deriving mainly from two restaurants and a guest house. Lom's father, as a younger son, inherited little, supporting his family by variously running a printing business, a car repair shop, and trying to establish himself as an art agent. The family lived at Žižkov before moving to Vysočany, subsequently lived at Vinohrady, then Nové Město, where Lom attended a famous German grammar school. He studied philosophy for some time at the German University in Prague, but ceased his studies to become an actor.[5]

Career

Lom's film debut was in the Czech film Žena pod křížem ("A Woman Under Cross", 1937) followed by the Boží mlýny ("Mills of God", 1938). His early film appearances were mainly supporting roles, with the occasional top billing. At this time he also changed his surname to Lom ("breakage" or "quarry" in Czech) because it was the shortest he found in a local telephone directory.

Due to the occupation of Czechoslovakia by Nazi Germany, Poland and Hungary in 1938–39, Lom emigrated to Britain in 1939. He made numerous appearances in British films throughout the 1940s, usually in villainous roles, although he later appeared in comedies as well. Despite his mother's Jewish ancestry, Lom's parents survived to join him in England.

Despite Lom's accent, he managed to escape being typecast as a European heavy by securing a diverse range of casting, including as Napoleon Bonaparte in The Young Mr. Pitt (1942), and again in the King Vidor version of War and Peace (1956). He secured a seven-picture Hollywood contract after World War II, but was unable to obtain an American visa for "political reasons".[6] In a rare starring role, Lom played twin trapeze artists in Dual Alibi (1946).

Lom starred as the King of Siam in the original London production of Rodgers and Hammerstein's musical The King and I. Opening at the Drury Lane Theatre on 8 October 1953, it ran for 926 performances.[7] He can be heard on the cast recording. A few years later, he appeared opposite Alec Guinness and Peter Sellers in The Ladykillers (1955); and with Robert Mitchum, Jack Lemmon and Rita Hayworth in Fire Down Below (1957). He went on to more film success in the 1960s with a wide range of parts, including Spartacus (1960); El Cid (1961); Mysterious Island (also 1961), as Captain Nemo; and Hammer Films' remake of The Phantom of the Opera (1962), in which Lom had the leading role, wearing a full-face Phantom mask. "It was wonderful to play such a part," he said, "but I was disappointed with the picture... This version of the famous Gaston Leroux story dragged. The Phantom wasn't given enough to do, but at least I wasn't the villain, for a change. Michael Gough was the villain."

During this period, Lom starred in his only regular TV series, the British drama The Human Jungle (1963–64), playing a Harley Street psychiatrist for two series. He starred in another low-budget horror film, the witch-hunting story Mark of the Devil (Hexen bis aufs Blut gequält, 1970), with unusually graphic torture scenes. Cinemas reportedly handed out sick bags at screenings.[8] Lom appeared in other horror films made in both the US and UK, including Asylum, And Now the Screaming Starts!, Murders in the Rue Morgue and The Dead Zone.

Lom was perhaps best known for his portrayal of Chief Inspector Charles Dreyfus, Inspector Clouseau's long-suffering superior, in most of Blake Edwards' Pink Panther films, beginning with the second in the series, A Shot in the Dark (1964). He also appeared in two screen versions of the Agatha Christie novel And Then There Were None—as Dr. Armstrong in the 1975 version, and as General Romensky in the 1989 version.

Lom wrote two historical novels: one on the playwright Christopher Marlowe (Enter a Spy: The Double Life of Christopher Marlowe, 1978), and the other on the French Revolution (Dr Guillotine: The Eccentric Exploits of an Early Scientist, 1992). The film rights to the latter have been purchased, but no film has yet been produced.

Personal life

Lom married Dina Schea in 1948. They had two children before they divorced after separating between 1961 and 1976. He had a child from a relationship with Brigitta Appleby. He later married Eve Lacik; they divorced in 1990.[1]

Lom died in his sleep at his home in Camden Town, London[9] on 27 September 2012, at the age of 95.[10]

Selected filmography

Voice work

References

  1. ^ a b "Film Obituaries: Herbert Lom". The Daily Telegraph. 27 September 2012. Retrieved 7 November 2019.
  2. ^ a b Viner, Brian (18 December 2004). "Herbert Lom: The Odd Fellow". The Independent. Retrieved 8 November 2019.
  3. ^ Genealogisches Handbuch des Adels, 125th edition, Adelslexikon, vol. 12, Rol-Schm, ed. Hans Friedrich von Ehrenkrook, C. A. Starke, 2002, p. 503
  4. ^ "AT-OeStA/AVA Adel RAA 372.29 Schluderpacher, Christian, Bürger zu Bozen, Wappen mit Krone und Lehenartikel, 1601.08.01 (Akt (Sammelakt, Grundzl., Konvolut, Dossier, File))".
  5. ^ "Herec Herbert Lom a šlechta rodu Kuchačevich ze Schluderpacheru". abchistory.cz. Retrieved 3 October 2019.
  6. ^ BBC Radio 4 Interview, 31 October 2008 [1]
  7. ^ Stanley Green, Encyclopedia of the Musical Theatre, (New York, 1976: Dodd, Mead & Company, rpt. Cambridge, Massachusetts: Da Capo Press, 1980), p. 233.
  8. ^ "Esplatter.com". Esplatter.com. Archived from the original on 16 November 2011. Retrieved 16 November 2011.
  9. ^ "Lom, Herbert (1917–2012)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/105645. (Subscription or UK public library membership required.)
  10. ^ "Herbert Lom, Pink Panther star, dies aged 95". BBC News. 27 September 2012. Retrieved 27 September 2012.

External links

Retrieved from "https://www.thegoonshow.co.uk/wiki/index.php?title=Herbert_Lom&oldid=51074"