Kurt at 22:58, 28 September 2024

2024-09-28T22:58:44Z

← Older revision		Revision as of 17:58, 28 September 2024
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	\| death_place = London, England		\| death_place = London, England
	\| occupation = Actress		\| occupation = Actress
	\| works = ~~[[List of Maggie Smith performances\|List of works]]~~		\| works =
	\| spouse = {{ubl		\| spouse = {{ubl
	\| {{marriage\|[[Robert Stephens]]\|29 June 1967\|6 April 1975\|end=divorced}}		\| {{marriage\|[[Robert Stephens]]\|29 June 1967\|6 April 1975\|end=divorced}}
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	==Career==		==Career==
	=== 1952–1968: National Theatre ===		=== 1952–1968: National Theatre ===
	[[File:~~Original Black Comedy Cast~~.jpg\|thumb\|right\| ~~The original 1965 [[Royal National Theatre\|National Theatre]] cast of ''[[Black Comedy (play)\|Black Comedy]]''. From left: Louise Purnell, [[Albert Finney]], [[Derek Jacobi]], Maggie~~ Smith ~~and [[Graham Crowden]].~~]] In 1952, aged 17, under the auspices of the [[Oxford University Dramatic Society]], Smith began her career as Viola in ''[[Twelfth Night]]'' at the [[Oxford Playhouse]]. She continued to act in productions at the Oxford Playhouse, including ''Cinderella'' (1952), ''[[Rookery Nook (play)\|Rookery Nook]]'' (1953), ''[[Cakes and Ale]]'' (1953) and ''[[The Government Inspector]]'' (1954). That same year, she appeared in the television programme ''Oxford Accents'' (1954) produced by [[Ned Sherrin]].<ref>{{cite news \|first=Michael \|last=Coveney \|title=Obituary: Ned Sherrin \|newspaper=[[The Guardian]] \|date=3 October 2007 }}</ref> In 1956 Smith made her [[Broadway (theatre)\|Broadway]] debut playing several roles in the review ''New Faces of '56'', at the [[Ethel Barrymore Theatre]] from June to December 1956.<ref>Maggie Smith acceptance speech at the 44th Tony Awards telecast in 1990.</ref><ref name="IBDbprofile">{{Cite web \|url=http://www.ibdb.com \|title=Maggie Smith \|work=IBDb \|access-date=22 December 2011}}</ref> In 1957, she starred opposite [[Kenneth Williams]] in the musical comedy ''Share My Lettuce'', written by [[Bamber Gascoigne]].<ref>{{cite web \|url=http://www.guidetomusicaltheatre.com/shows_s/sharelettuce.htm \|title=Share My Lettuce \|work=The Guide to Musical Theatre \|access-date=22 December 2011}}</ref>		[[File:Maggie Smith 60s.jpg\|thumb\|right\|Smith in the 60s]]
			In 1952, aged 17, under the auspices of the [[Oxford University Dramatic Society]], Smith began her career as Viola in ''[[Twelfth Night]]'' at the [[Oxford Playhouse]]. She continued to act in productions at the Oxford Playhouse, including ''Cinderella'' (1952), ''[[Rookery Nook (play)\|Rookery Nook]]'' (1953), ''[[Cakes and Ale]]'' (1953) and ''[[The Government Inspector]]'' (1954). That same year, she appeared in the television programme ''Oxford Accents'' (1954) produced by [[Ned Sherrin]].<ref>{{cite news \|first=Michael \|last=Coveney \|title=Obituary: Ned Sherrin \|newspaper=[[The Guardian]] \|date=3 October 2007 }}</ref> In 1956 Smith made her [[Broadway (theatre)\|Broadway]] debut playing several roles in the review ''New Faces of '56'', at the [[Ethel Barrymore Theatre]] from June to December 1956.<ref>Maggie Smith acceptance speech at the 44th Tony Awards telecast in 1990.</ref><ref name="IBDbprofile">{{Cite web \|url=http://www.ibdb.com \|title=Maggie Smith \|work=IBDb \|access-date=22 December 2011}}</ref> In 1957, she starred opposite [[Kenneth Williams]] in the musical comedy ''Share My Lettuce'', written by [[Bamber Gascoigne]].<ref>{{cite web \|url=http://www.guidetomusicaltheatre.com/shows_s/sharelettuce.htm \|title=Share My Lettuce \|work=The Guide to Musical Theatre \|access-date=22 December 2011}}</ref>

	In 1962, Smith won the first of a record six Best Actress ''Evening Standard ''Awards for her roles in [[Peter Shaffer]]'s plays ''The Private Ear'' and ''The Public Eye'', again opposite Kenneth Williams. She caught the eye of [[Laurence Olivier]], who, after seeing her in ''[[The Double-Dealer]]'' at [[The Old Vic]], invited her to become part of his new [[National Theatre Company]] soon after it was formed at The Old Vic in 1962. Alongside [[Derek Jacobi]] and [[Michael Gambon]], she soon became a fixture at the [[Royal National Theatre]] in the 1960s. British theatre critic [[Michael Coveney]] wrote that during her eight years in the company, Smith developed a fierce rivalry with Olivier writing, "He knew immediately he'd met his match – that she was extraordinary. He said that anyone who can play comedy that well can also play tragedy and he offered her the likes of Desdemona in Shakespeare's Othello. But having got her into the company they became not enemies, but professional rivals. Never before had anyone on stage been quicker than him and now, it seemed, there was a contest."<ref>{{cite web\|url=https://www.oldvictheatre.com/news/2017/12/maggie-smith-and-the-old-vic\|archive-url=https://web.archive.org/web/20210924191704/https://www.oldvictheatre.com/news/2017/12/maggie-smith-and-the-old-vic\|archive-date=24 September 2021\|title=Maggie Smith and The Old Vic\|website= [[The Old Vic]]\|first=Elizabeth\|last=Charlesworth\|date=28 December 2017\|access-date=29 May 2024}}</ref>		In 1962, Smith won the first of a record six Best Actress ''Evening Standard ''Awards for her roles in [[Peter Shaffer]]'s plays ''The Private Ear'' and ''The Public Eye'', again opposite Kenneth Williams. She caught the eye of [[Laurence Olivier]], who, after seeing her in ''[[The Double-Dealer]]'' at [[The Old Vic]], invited her to become part of his new [[National Theatre Company]] soon after it was formed at The Old Vic in 1962. Alongside [[Derek Jacobi]] and [[Michael Gambon]], she soon became a fixture at the [[Royal National Theatre]] in the 1960s. British theatre critic [[Michael Coveney]] wrote that during her eight years in the company, Smith developed a fierce rivalry with Olivier writing, "He knew immediately he'd met his match – that she was extraordinary. He said that anyone who can play comedy that well can also play tragedy and he offered her the likes of Desdemona in Shakespeare's Othello. But having got her into the company they became not enemies, but professional rivals. Never before had anyone on stage been quicker than him and now, it seemed, there was a contest."<ref>{{cite web\|url=https://www.oldvictheatre.com/news/2017/12/maggie-smith-and-the-old-vic\|archive-url=https://web.archive.org/web/20210924191704/https://www.oldvictheatre.com/news/2017/12/maggie-smith-and-the-old-vic\|archive-date=24 September 2021\|title=Maggie Smith and The Old Vic\|website= [[The Old Vic]]\|first=Elizabeth\|last=Charlesworth\|date=28 December 2017\|access-date=29 May 2024}}</ref>
	~~[[File:Laurence Olivier Carl Van Vechten portrait 3.jpg\|thumb\|right\|160px\|Smith worked extensively with [[Laurence Olivier]] at the [[Royal National Theatre]].]]~~
	On ''[[The Graham Norton Show]]'' in 2015, Smith admitted that Olivier had slapped her across the face during a production of ''[[Othello]]'' in 1964. She appeared opposite Olivier as Sylvia in ''[[The Recruiting Officer]]'' in 1963–64<ref>{{Cite web\|url=https://theatricalia.com/play/3j9/the-recruiting-officer/production/9v6\|title=Production of The Recruiting Officer \| Theatricalia\|website=theatricalia.com}}</ref> and again as Hilde in [[Henrik Ibsen\|Ibsen]]'s ''[[The Master Builder]]'' in 1964–65.<ref>{{Cite web\|url=https://www.dresscircle.co.uk/shows/the-master-builder/the-old-vic-london-96\|title=The Master Builder at The Old Vic November 1964 to July 1965 \| Dress Circle}}</ref> Smith's 1967 portrayal of Beatrice in ''[[Much Ado About Nothing]]'', by Italian director [[Franco Zeffirelli]], is thought to be the earliest British television broadcast of the entire play. The screen version was assumed lost until a copy was discovered in the [[Library of Congress]] in Washington, DC in 2010.<ref>{{Cite web\|url=http://www.screenonline.org.uk/tv/id/565168/index.html\|title=BFI Screenonline: Much Ado About Nothing (1967)\|website=www.screenonline.org.uk}}</ref><ref>{{cite web \| url=https://www.bbc.co.uk/programmes/articles/YYKTPCrSpLz6bxXgNtPhj8/dame-again-early-lost-maggie-smith-appearance-painstakingly-restored#:~:text=Much%20Ado%20About%20Nothing%20starring,broadcast%20of%20the%20whole%20play. \| title=BBC – Shakespeare Lives – Dame Again – Early 'lost' Maggie Smith appearance painstakingly restored }}</ref>		On ''[[The Graham Norton Show]]'' in 2015, Smith admitted that Olivier had slapped her across the face during a production of ''[[Othello]]'' in 1964. She appeared opposite Olivier as Sylvia in ''[[The Recruiting Officer]]'' in 1963–64<ref>{{Cite web\|url=https://theatricalia.com/play/3j9/the-recruiting-officer/production/9v6\|title=Production of The Recruiting Officer \| Theatricalia\|website=theatricalia.com}}</ref> and again as Hilde in [[Henrik Ibsen\|Ibsen]]'s ''[[The Master Builder]]'' in 1964–65.<ref>{{Cite web\|url=https://www.dresscircle.co.uk/shows/the-master-builder/the-old-vic-london-96\|title=The Master Builder at The Old Vic November 1964 to July 1965 \| Dress Circle}}</ref> Smith's 1967 portrayal of Beatrice in ''[[Much Ado About Nothing]]'', by Italian director [[Franco Zeffirelli]], is thought to be the earliest British television broadcast of the entire play. The screen version was assumed lost until a copy was discovered in the [[Library of Congress]] in Washington, DC in 2010.<ref>{{Cite web\|url=http://www.screenonline.org.uk/tv/id/565168/index.html\|title=BFI Screenonline: Much Ado About Nothing (1967)\|website=www.screenonline.org.uk}}</ref><ref>{{cite web \| url=https://www.bbc.co.uk/programmes/articles/YYKTPCrSpLz6bxXgNtPhj8/dame-again-early-lost-maggie-smith-appearance-painstakingly-restored#:~:text=Much%20Ado%20About%20Nothing%20starring,broadcast%20of%20the%20whole%20play. \| title=BBC – Shakespeare Lives – Dame Again – Early 'lost' Maggie Smith appearance painstakingly restored }}</ref>

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	=== 1969–1979: Rise to prominence and stardom ===		=== 1969–1979: Rise to prominence and stardom ===
			[[File:Dame Maggie Smith 1973 (front side) (cropped).jpg\|thumb\|right\|Smith in 1973]]
	Smith won the [[Academy Award for Best Actress]] for her performance in the title role of the 1969 film ''[[The Prime of Miss Jean Brodie (film)\|The Prime of Miss Jean Brodie]]''.<ref>{{cite web \|title=Academy Awards Best Actress \|url=http://www.filmsite.org/bestactress.html \|access-date=7 August 2013 \|work=Filmsite.org}}</ref> [[Vanessa Redgrave]] had originated the role on stage in London,<ref>{{cite news \|url=https://www.theguardian.com/theobserver/2010/feb/21/observer-profile-vanessa-redgrave \|newspaper=[[The Observer]] \|first=Andrew \|last=Anthony \|title=Vanessa Redgrave: A performer of passion, conviction and tragedy \|date=21 February 2010 \|access-date=19 May 2014}}</ref> and [[Zoe Caldwell]] won the [[Tony Award for Best Performance by a Leading Actress in a Play\|Tony Award for Best Actress in a Play]], when she played the role in New York City. Smith was singled out for her performance in the film. [[Dave Kehr]] of ''[[Chicago Reader]]'' said that Smith gives "one of those technically stunning, emotionally distant performances that the British are so damn good at."<ref>{{cite news \|last=Kehr \|first=David \|title=The Prime of Miss Jean Brodie \|url=http://www.chicagoreader.com/chicago/the-prime-of-miss-jean-brodie/Film?oid=1064172 \|newspaper=[[Chicago Reader]] \|access-date=8 October 2012}}</ref> Greg Ferrara wrote that the film "is one of the best British films of the decade. It is as captivating today as it was upon its release and its two central performances by Maggie Smith and Pamela Franklin are both stirring and mesmerizing. ''The Prime of Miss Jean Brodie'' is the crème de la crème."<ref>{{cite web \|last=Ferrara \|first=Greg \|url=http://www.tcm.com/this-month/article/625966%7C0/The-Prime-of-Miss-Jean-Brodie.html \|title=The Prime of Miss Jean Brodie – Film Article \|publisher=Turner Classic Movies (TCM) \|access-date=14 October 2018}}</ref> The role also won Smith her first BAFTA Film Award for Best Actress.<ref name="BAFTA322"/>		Smith won the [[Academy Award for Best Actress]] for her performance in the title role of the 1969 film ''[[The Prime of Miss Jean Brodie (film)\|The Prime of Miss Jean Brodie]]''.<ref>{{cite web \|title=Academy Awards Best Actress \|url=http://www.filmsite.org/bestactress.html \|access-date=7 August 2013 \|work=Filmsite.org}}</ref> [[Vanessa Redgrave]] had originated the role on stage in London,<ref>{{cite news \|url=https://www.theguardian.com/theobserver/2010/feb/21/observer-profile-vanessa-redgrave \|newspaper=[[The Observer]] \|first=Andrew \|last=Anthony \|title=Vanessa Redgrave: A performer of passion, conviction and tragedy \|date=21 February 2010 \|access-date=19 May 2014}}</ref> and [[Zoe Caldwell]] won the [[Tony Award for Best Performance by a Leading Actress in a Play\|Tony Award for Best Actress in a Play]], when she played the role in New York City. Smith was singled out for her performance in the film. [[Dave Kehr]] of ''[[Chicago Reader]]'' said that Smith gives "one of those technically stunning, emotionally distant performances that the British are so damn good at."<ref>{{cite news \|last=Kehr \|first=David \|title=The Prime of Miss Jean Brodie \|url=http://www.chicagoreader.com/chicago/the-prime-of-miss-jean-brodie/Film?oid=1064172 \|newspaper=[[Chicago Reader]] \|access-date=8 October 2012}}</ref> Greg Ferrara wrote that the film "is one of the best British films of the decade. It is as captivating today as it was upon its release and its two central performances by Maggie Smith and Pamela Franklin are both stirring and mesmerizing. ''The Prime of Miss Jean Brodie'' is the crème de la crème."<ref>{{cite web \|last=Ferrara \|first=Greg \|url=http://www.tcm.com/this-month/article/625966%7C0/The-Prime-of-Miss-Jean-Brodie.html \|title=The Prime of Miss Jean Brodie – Film Article \|publisher=Turner Classic Movies (TCM) \|access-date=14 October 2018}}</ref> The role also won Smith her first BAFTA Film Award for Best Actress.<ref name="BAFTA322"/>
	~~[[File:Dame Maggie Smith 1973 (front side) (cropped).jpg\|thumb\|right\|180px\|Smith in 1973]]~~
	In 1970, Smith played the title role in [[Ingmar Bergman]]'s London production of the [[Henrik Ibsen]] play ''[[Hedda Gabler]]'', winning her second [[Evening Standard Theatre Award for Best Actress\|''Evening Standard'' Theatre Award for Best Actress]]. In 1975, Smith starred in the [[Noël Coward]] comedy ''[[Private Lives]]'' as Amanda Prynne on [[Broadway (theatre)\|Broadway]] at the [[46th Street Theatre]]. The play directed by [[John Gielgud]] received positive reviews.<ref>{{Cite web\|url=https://archives.stratfordfestival.ca/AIS/Details/people/9636\|title=Stratford Festival Archives \| Details\|website=archives.stratfordfestival.ca\|access-date=6 April 2019\|archive-url=https://web.archive.org/web/20190406005041/https://archives.stratfordfestival.ca/AIS/Details/people/9636\|archive-date=6 April 2019\|url-status=dead}}</ref> ''[[The New York Times]]'' theatre critic praised Smith's physical comedic skills writing, "Miss Smith's body spins, lurches, misses yards at a time before another foot comes down, ends in a paralysis that will require hypnosis to undo. The effect, because Noel Coward's situation is funny and because Miss Smith sends off that one little extra signal that spells extravagance, is hilarious, explosively so."<ref>{{cite news\|url=https://www.nytimes.com/1975/02/16/archives/stage-view-sometimes-the-actings-the-thing.html\|title= STAGE VIEW\|website=The New York Times\|date= 16 February 1975\|access-date= 20 June 2021}}</ref> Smith received her first [[Tony Award]] nomination and a [[Drama Desk Award]] nomination. In the mid-1970s, she made several guest appearances on ''[[The Carol Burnett Show]]''.<ref>{{cite web\|url= https://www.metacritic.com/tv/the-carol-burnett-show/season-9/episode-10-dame-maggie-smith/\|title= The Carol Burnett Show: Dame Maggie Smith\|website= Metacritic\|access-date= 4 June 2024}}</ref>		In 1970, Smith played the title role in [[Ingmar Bergman]]'s London production of the [[Henrik Ibsen]] play ''[[Hedda Gabler]]'', winning her second [[Evening Standard Theatre Award for Best Actress\|''Evening Standard'' Theatre Award for Best Actress]]. In 1975, Smith starred in the [[Noël Coward]] comedy ''[[Private Lives]]'' as Amanda Prynne on [[Broadway (theatre)\|Broadway]] at the [[46th Street Theatre]]. The play directed by [[John Gielgud]] received positive reviews.<ref>{{Cite web\|url=https://archives.stratfordfestival.ca/AIS/Details/people/9636\|title=Stratford Festival Archives \| Details\|website=archives.stratfordfestival.ca\|access-date=6 April 2019\|archive-url=https://web.archive.org/web/20190406005041/https://archives.stratfordfestival.ca/AIS/Details/people/9636\|archive-date=6 April 2019\|url-status=dead}}</ref> ''[[The New York Times]]'' theatre critic praised Smith's physical comedic skills writing, "Miss Smith's body spins, lurches, misses yards at a time before another foot comes down, ends in a paralysis that will require hypnosis to undo. The effect, because Noel Coward's situation is funny and because Miss Smith sends off that one little extra signal that spells extravagance, is hilarious, explosively so."<ref>{{cite news\|url=https://www.nytimes.com/1975/02/16/archives/stage-view-sometimes-the-actings-the-thing.html\|title= STAGE VIEW\|website=The New York Times\|date= 16 February 1975\|access-date= 20 June 2021}}</ref> Smith received her first [[Tony Award]] nomination and a [[Drama Desk Award]] nomination. In the mid-1970s, she made several guest appearances on ''[[The Carol Burnett Show]]''.<ref>{{cite web\|url= https://www.metacritic.com/tv/the-carol-burnett-show/season-9/episode-10-dame-maggie-smith/\|title= The Carol Burnett Show: Dame Maggie Smith\|website= Metacritic\|access-date= 4 June 2024}}</ref>

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	=== 1980–1999: Established actress ===		=== 1980–1999: Established actress ===
	[[File:~~Alan Bennett 22 Allan Warren~~.jpg\|thumb\|right~~\|160px~~\|Smith ~~acted~~ in ~~numerous [[Alan Bennett]] projects, including ''[[Talking Heads (British TV series)\|Talking Heads]]''.~~]]		[[File:Maggie Smith 90s.jpg\|thumb\|right\|Smith in the 1990s]]

	For her role on television as Mrs Silly in [[All for Love (British TV series)\|''All for Love'']] (1983) she received the first of her four [[British Academy Television Award for Best Actress\|Best Actress]] BAFTA TV Award nominations. In 1987, she starred as Susan in ''A Bed Among the Lentils'', part of [[Alan Bennett]]'s ''[[Talking Heads (British TV series)\|Talking Heads]]'' series, receiving a second BAFTA TV nomination. In 1981, Smith starred in the [[Merchant Ivory Productions\|Merchant Ivory film]] ''[[Quartet (1981 film)\|Quartet]]'' alongside [[Alan Bates]] and [[Isabelle Adjani]].<ref>{{cite web\|url= https://www.nytimes.com/1981/10/25/movies/ivory-s-quartet-based-on-rhys-novel.html\|title= IVORY'S 'QUARTET,' BASED ON RHYS NOVEL\|website= [[The New York Times]]\|access-date= 4 June 2024}}</ref> The film premiered at the [[1981 Cannes Film Festival\|34th Cannes Film Festival]] where it received positive reviews.<ref>{{cite web\|url= https://www.metacritic.com/movie/quartet-1981/\|title= Quarter\|website= Metacritic\|access-date= 4 June 2024}}</ref> Smith received her sixth [[BAFTA]] Award nomination for Best Actress for her performance as Lois Heidler.<ref name="BAFTA322"/> Smith also played the goddess [[Thetis]] in ''[[Clash of the Titans (1981 film)\|Clash of the Titans]]'' (1981). In 1982, she starred as Daphne Castle in the locked-room mystery film ''[[Evil Under the Sun (1982 film)\|Evil Under the Sun]]'' opposite Peter Ustinov, [[Jane Birkin]] and [[Diana Rigg]].<ref>{{cite web\|url= https://www.tcm.com/tcmdb/title/987/clash-of-the-titans#overview\|title= Clash of the Titans (1981)\|website= TCM\|access-date= 3 June 2024}}</ref> The following year, she appeared in the film ''[[Better Late Than Never (1983 film)\|Better Late Than Never]]'' alongside [[David Niven]] and [[Art Carney]].<ref>{{cite web\|url= https://www.rottentomatoes.com/m/better_late_than_never\|title= Better LAte Than Never\|website= [[Rotten Tomatoes]]\|access-date= 3 June 2024}}</ref>		For her role on television as Mrs Silly in [[All for Love (British TV series)\|''All for Love'']] (1983) she received the first of her four [[British Academy Television Award for Best Actress\|Best Actress]] BAFTA TV Award nominations. In 1987, she starred as Susan in ''A Bed Among the Lentils'', part of [[Alan Bennett]]'s ''[[Talking Heads (British TV series)\|Talking Heads]]'' series, receiving a second BAFTA TV nomination. In 1981, Smith starred in the [[Merchant Ivory Productions\|Merchant Ivory film]] ''[[Quartet (1981 film)\|Quartet]]'' alongside [[Alan Bates]] and [[Isabelle Adjani]].<ref>{{cite web\|url= https://www.nytimes.com/1981/10/25/movies/ivory-s-quartet-based-on-rhys-novel.html\|title= IVORY'S 'QUARTET,' BASED ON RHYS NOVEL\|website= [[The New York Times]]\|access-date= 4 June 2024}}</ref> The film premiered at the [[1981 Cannes Film Festival\|34th Cannes Film Festival]] where it received positive reviews.<ref>{{cite web\|url= https://www.metacritic.com/movie/quartet-1981/\|title= Quarter\|website= Metacritic\|access-date= 4 June 2024}}</ref> Smith received her sixth [[BAFTA]] Award nomination for Best Actress for her performance as Lois Heidler.<ref name="BAFTA322"/> Smith also played the goddess [[Thetis]] in ''[[Clash of the Titans (1981 film)\|Clash of the Titans]]'' (1981). In 1982, she starred as Daphne Castle in the locked-room mystery film ''[[Evil Under the Sun (1982 film)\|Evil Under the Sun]]'' opposite Peter Ustinov, [[Jane Birkin]] and [[Diana Rigg]].<ref>{{cite web\|url= https://www.tcm.com/tcmdb/title/987/clash-of-the-titans#overview\|title= Clash of the Titans (1981)\|website= TCM\|access-date= 3 June 2024}}</ref> The following year, she appeared in the film ''[[Better Late Than Never (1983 film)\|Better Late Than Never]]'' alongside [[David Niven]] and [[Art Carney]].<ref>{{cite web\|url= https://www.rottentomatoes.com/m/better_late_than_never\|title= Better LAte Than Never\|website= [[Rotten Tomatoes]]\|access-date= 3 June 2024}}</ref>

Kurt at 22:51, 28 September 2024

2024-09-28T22:51:03Z

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	\| birth_date = {{Birth date\|1934\|12\|28\|df=y}}		\| birth_date = {{Birth date\|1934\|12\|28\|df=y}}
	\| birth_place = [[Ilford]], Essex, England		\| birth_place = [[Ilford]], Essex, England
	\| death_date = {{Death date and age\|2024\|9\|27\|1934\|12\|28\|df=y}}		\| death_date = {{Death date and age\|2024\|09\|27\|1934\|12\|28\|df=y}}
	\| death_place = London, England		\| death_place = London, England
	\| occupation = Actress		\| occupation = Actress
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	}}		}}
	\| children = {{hlist\|[[Chris Larkin]]\|[[Toby Stephens]]}}		\| children = {{hlist\|[[Chris Larkin]]\|[[Toby Stephens]]}}
	\| awards = ~~[[List of awards and nominations received by Maggie Smith\|List of awards]]~~		\| awards =
	}}		}}

Kurt at 22:43, 28 September 2024

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 {{Infobox person
 | honorific_prefix = [[Dame]]
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 ==External links==
-{{Commons category}}
 * {{AFI person | 103986-Maggie-Smith }}
 * {{IMDb name}}
 * {{IBDB name}}
 * {{Playbill person}}
-* [https://web.archive.org/web/20160520091107/http://www.bfi.org.uk/films-tv-people/4ce2ba1b9389c Maggie Smith] at the [[British Film Institute]]{{better source needed|reason=Help request: a live link can be searched for at https://collections-search.bfi.org.uk/web/search/expert – if available, replace the archive URL with the live link. Or if none found, remove this 'better source needed' template.|date=October 2023}}
+* [https://web.archive.org/web/20160520091107/http://www.bfi.org.uk/films-tv-people/4ce2ba1b9389c Maggie Smith] at the [[British Film Institute]]
 * {{Screenonline name|480249}}
 * {{TCMDb name}}
@@ Line 179: / Line 174: @@
 * {{Discogs artist|Maggie Smith}}
 {{DEFAULTSORT:Smith, Maggie}}

Maggie Smith - Revision history

Kurt at 22:58, 28 September 2024

Kurt at 22:51, 28 September 2024

Kurt at 22:49, 28 September 2024

Kurt at 22:43, 28 September 2024

Kurt: 1 revision imported

en>CC Bleechers: /* 1952–1968: National Theatre */ the films are sourced. Remove actors and directors

← Older revision	Revision as of 17:41, 28 September 2024
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