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	<id>https://www.thegoonshow.co.uk/wiki/index.php?action=history&amp;feed=atom&amp;title=Cissie_and_Ada</id>
	<title>Cissie and Ada - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://www.thegoonshow.co.uk/wiki/index.php?action=history&amp;feed=atom&amp;title=Cissie_and_Ada"/>
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	<updated>2026-05-14T21:12:41Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=44876&amp;oldid=prev</id>
		<title>Kurt at 00:13, 17 March 2023</title>
		<link rel="alternate" type="text/html" href="https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=44876&amp;oldid=prev"/>
		<updated>2023-03-17T00:13:12Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:13, 16 March 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Cissie and Ada''', in full Cissie Braithwaite and Ada Shufflebotham (or Sidebottom),&amp;lt;ref group=&amp;quot;notes&amp;quot;&amp;gt;Ada's surname is recorded both as Sidebottom and as Shufflebotham in various sources. ''The Guardian'' records it as Shufflebotham in &amp;quot;The Guide: Hard as Males&amp;quot; (9 August 2008, p. 8) as does ''The Daily Mirror'' in &amp;quot;Football: It's Time for Liverpool and Chelsea to ... Show Some Dignity&amp;quot; (20 April 2008, p. 55). However, ''The Independent'', in &amp;quot;The Ten Best Drag Acts&amp;quot; (27 June 2006, p. 24) uses Sidebottom.&amp;lt;/ref&amp;gt; are a comedy [[drag act|drag act]] featuring two fictional housewives from [[Northern England|Northern England]] (or, more specifically, [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lancashir|e&lt;/del&gt;]]). The act was created and played by the comedian [[Les Dawson]] and the comic actor [[Roy Barraclough]] on television in the 1970s and 1980s.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Cissie and Ada''', in full Cissie Braithwaite and Ada Shufflebotham (or Sidebottom),&amp;lt;ref group=&amp;quot;notes&amp;quot;&amp;gt;Ada's surname is recorded both as Sidebottom and as Shufflebotham in various sources. ''The Guardian'' records it as Shufflebotham in &amp;quot;The Guide: Hard as Males&amp;quot; (9 August 2008, p. 8) as does ''The Daily Mirror'' in &amp;quot;Football: It's Time for Liverpool and Chelsea to ... Show Some Dignity&amp;quot; (20 April 2008, p. 55). However, ''The Independent'', in &amp;quot;The Ten Best Drag Acts&amp;quot; (27 June 2006, p. 24) uses Sidebottom.&amp;lt;/ref&amp;gt; are a comedy [[drag act|drag act]] featuring two fictional housewives from [[Northern England|Northern England]] (or, more specifically, [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lancashire&lt;/ins&gt;]]). The act was created and played by the comedian [[Les Dawson]] and the comic actor [[Roy Barraclough]] on television in the 1970s and 1980s.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Act==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Act==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Kurt</name></author>
	</entry>
	<entry>
		<id>https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=44874&amp;oldid=prev</id>
		<title>Kurt at 00:11, 17 March 2023</title>
		<link rel="alternate" type="text/html" href="https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=44874&amp;oldid=prev"/>
		<updated>2023-03-17T00:11:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:11, 16 March 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Use dmy dates|date=November 2021}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Use British English|date=January 2013}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox character&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox character&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name        = Cissie and Ada&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name        = Cissie and Ada&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image       = Cissie and Ada.jpeg&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image       = Cissie and Ada.jpeg&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| image_size  = 200px&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption     = Les Dawson (right) and Roy Barraclough (left) as Cissie and Ada on ''The Les Dawson Show'' (BBC, 1978)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption     = Les Dawson (right) and Roy Barraclough (left) as Cissie and Ada on ''The Les Dawson Show'' (BBC, 1978)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| creator     = [[Les Dawson]] and [[Roy Barraclough]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| creator     = [[Les Dawson]] and [[Roy Barraclough]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot;&gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Cissie and Ada''', in full Cissie Braithwaite and Ada Shufflebotham (or Sidebottom),&amp;lt;ref group=&amp;quot;notes&amp;quot;&amp;gt;Ada's surname is recorded both as Sidebottom and as Shufflebotham in various sources. ''The Guardian'' records it as Shufflebotham in &amp;quot;The Guide: Hard as Males&amp;quot; (9 August 2008, p. 8) as does ''The Daily Mirror'' in &amp;quot;Football: It's Time for Liverpool and Chelsea to ... Show Some Dignity&amp;quot; (20 April 2008, p. 55). However, ''The Independent'', in &amp;quot;The Ten Best Drag Acts&amp;quot; (27 June 2006, p. 24) uses Sidebottom.&amp;lt;/ref&amp;gt; are a comedy [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;drag act|drag act]] featuring two fictional housewives from [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Northern England|Northern England]] (or, more specifically, [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Lancashir|e]]). The act was created and played by the comedian [[Les Dawson]] and the comic actor [[Roy Barraclough]] on television in the 1970s and 1980s.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Cissie and Ada''', in full Cissie Braithwaite and Ada Shufflebotham (or Sidebottom),&amp;lt;ref group=&amp;quot;notes&amp;quot;&amp;gt;Ada's surname is recorded both as Sidebottom and as Shufflebotham in various sources. ''The Guardian'' records it as Shufflebotham in &amp;quot;The Guide: Hard as Males&amp;quot; (9 August 2008, p. 8) as does ''The Daily Mirror'' in &amp;quot;Football: It's Time for Liverpool and Chelsea to ... Show Some Dignity&amp;quot; (20 April 2008, p. 55). However, ''The Independent'', in &amp;quot;The Ten Best Drag Acts&amp;quot; (27 June 2006, p. 24) uses Sidebottom.&amp;lt;/ref&amp;gt; are a comedy [[drag act|drag act]] featuring two fictional housewives from [[Northern England|Northern England]] (or, more specifically, [[Lancashir|e]]). The act was created and played by the comedian [[Les Dawson]] and the comic actor [[Roy Barraclough]] on television in the 1970s and 1980s.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Act==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Act==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cissie and Ada sketches featured the two women gossiping. Their comedic mannerisms included stoical pursing of lips and constantly heaved bosoms. Cissie and Ada became a hit with the British public.&amp;lt;ref&amp;gt;Marion McMullen. &amp;quot;Go! Theatre: It's Alec Girl-Roy&amp;quot;, ''Evening Telegraph'' (Coventry), 26 October 2001. p. 33&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;David Hopps. &amp;quot;Cricket: Second Division: Resigned to Chilton Hundred: Lancashire 379 &amp;amp; 291-5 Yorkshire 335&amp;quot;, ''The Guardian'', 11 June 2005. p. 17&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&amp;quot;Hooray for Hollywood&amp;quot;, ''Burnley Express'', 6 October 2005.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Craig Brown. &amp;quot;Sons, Lovers and Mothers-in-Law&amp;quot;, ''The Daily Telegraph'' (London), 11 February 2006. p. 25. Many of the scripts were written by Terry Ravenscroft. &amp;quot;I always find Dawson's portrait of the two gossiping Lancashire women Cissie and Ada far more observant than any of the creations of D.H. Lawrence, especially when the two women start mouthing silently to each other about such unmentionable matters as sex or illness.&amp;quot;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite news |title=Statue Appeal for Comedian Dawson  |url= http://news.bbc.co.uk/1/hi/england/lancashire/6418403.stm|publisher=[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;BBC|BBC]] |date=2007-03-05 |accessdate=2008-10-07}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Matthew, Henry Colin Gray; Brian Howard Harrison &amp;amp; British Academy. ''Oxford Dictionary of National Biography'' (2004), Oxford University Press. p. 565. {{ISBN|0-19-861411-X}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cissie and Ada sketches featured the two women gossiping. Their comedic mannerisms included stoical pursing of lips and constantly heaved bosoms. Cissie and Ada became a hit with the British public.&amp;lt;ref&amp;gt;Marion McMullen. &amp;quot;Go! Theatre: It's Alec Girl-Roy&amp;quot;, ''Evening Telegraph'' (Coventry), 26 October 2001. p. 33&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;David Hopps. &amp;quot;Cricket: Second Division: Resigned to Chilton Hundred: Lancashire 379 &amp;amp; 291-5 Yorkshire 335&amp;quot;, ''The Guardian'', 11 June 2005. p. 17&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&amp;quot;Hooray for Hollywood&amp;quot;, ''Burnley Express'', 6 October 2005.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Craig Brown. &amp;quot;Sons, Lovers and Mothers-in-Law&amp;quot;, ''The Daily Telegraph'' (London), 11 February 2006. p. 25. Many of the scripts were written by Terry Ravenscroft. &amp;quot;I always find Dawson's portrait of the two gossiping Lancashire women Cissie and Ada far more observant than any of the creations of D.H. Lawrence, especially when the two women start mouthing silently to each other about such unmentionable matters as sex or illness.&amp;quot;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite news |title=Statue Appeal for Comedian Dawson  |url= http://news.bbc.co.uk/1/hi/england/lancashire/6418403.stm|publisher=[[BBC|BBC]] |date=2007-03-05 |accessdate=2008-10-07}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Matthew, Henry Colin Gray; Brian Howard Harrison &amp;amp; British Academy. ''Oxford Dictionary of National Biography'' (2004), Oxford University Press. p. 565. {{ISBN|0-19-861411-X}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dawson explained that this mouthing of words (or &amp;quot;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;mee-mawing|mee-mawing]]&amp;quot;) was a habit of Lancashire [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;cotton mill|millworkers]] trying to communicate by [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;lip reading|lip reading]] over the tremendous racket of the [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Power loom|looms]]. Millworkers then resorted to this practice in daily life to discuss delicate subjects.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dawson explained that this mouthing of words (or &amp;quot;[[mee-mawing|mee-mawing]]&amp;quot;) was a habit of Lancashire [[cotton mill|millworkers]] trying to communicate by [[lip reading|lip reading]] over the tremendous racket of the [[Power loom|looms]]. Millworkers then resorted to this practice in daily life to discuss delicate subjects.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The pair created the characters in rehearsals, in homage to the [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;music hall|music hall]] star [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Norman Evans|Norman Evans]], who appeared in [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Drag (clothing)|drag]] a 1950 film, ''[[Over the Garden Wall (1950 film)|Over the Garden Wall]]'', playing the lead character, Fanny Lawton.{{sfn|Hunter|Porter|2012|p=60}} They were persuaded by the producer to use them in sketches in the show ''[[Sez Les]]''. Although Dawson needed persuading to don drag, and Barraclough was nervous that he would not be able to match Dawson's talent for ad-libbing, the characters became permanent features of the show.&amp;lt;ref name=&amp;quot;Billen&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The pair created the characters in rehearsals, in homage to the [[music hall|music hall]] star [[Norman Evans|Norman Evans]], who appeared in [[Drag (clothing)|drag]] a 1950 film, ''[[Over the Garden Wall (1950 film)|Over the Garden Wall]]'', playing the lead character, Fanny Lawton.{{sfn|Hunter|Porter|2012|p=60}} They were persuaded by the producer to use them in sketches in the show ''[[Sez Les]]''. Although Dawson needed persuading to don drag, and Barraclough was nervous that he would not be able to match Dawson's talent for ad-libbing, the characters became permanent features of the show.&amp;lt;ref name=&amp;quot;Billen&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Barraclough recalled that his characterisation of Cissie &amp;quot;was drawn from an aunt of mine who always thought she was slightly above the rest of the family, Auntie Annie. You know, she would always have a sherry. And the rest of the family always took the piss out of her.&amp;quot;&amp;lt;ref name=&amp;quot;Billen&amp;quot;&amp;gt;Andrew Billen. &amp;quot;Race to Get Laid, and Then You Die&amp;quot;. ''The Guardian'', 22 May 1994.&amp;lt;/ref&amp;gt; Key to Dawson's portrayal of Ada was a handbag &amp;quot;tightly clutched to the waist in a manner suggesting infinite disapproval&amp;quot;.&amp;lt;ref&amp;gt;Ian Herbert North. &amp;quot;Cooper's Fez Fetches Five Times Reserve Price at Auction 'Just Like That'&amp;quot;. ''The Independent'', 28 September 2005. p. 18&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Barraclough recalled that his characterisation of Cissie &amp;quot;was drawn from an aunt of mine who always thought she was slightly above the rest of the family, Auntie Annie. You know, she would always have a sherry. And the rest of the family always took the piss out of her.&amp;quot;&amp;lt;ref name=&amp;quot;Billen&amp;quot;&amp;gt;Andrew Billen. &amp;quot;Race to Get Laid, and Then You Die&amp;quot;. ''The Guardian'', 22 May 1994.&amp;lt;/ref&amp;gt; Key to Dawson's portrayal of Ada was a handbag &amp;quot;tightly clutched to the waist in a manner suggesting infinite disapproval&amp;quot;.&amp;lt;ref&amp;gt;Ian Herbert North. &amp;quot;Cooper's Fez Fetches Five Times Reserve Price at Auction 'Just Like That'&amp;quot;. ''The Independent'', 28 September 2005. p. 18&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot;&gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Stage show===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Stage show===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A new play written by Graham Warrener, (incorporating Cissie and Ada original sketches from Dawson's BBC days, written by Terry Ravenscroft), and directed by JJ (John-Jackson) Almond, ''Cissie And Ada: An Hysterical Rectomy'',&amp;lt;ref&amp;gt;{{cite web |url=http://www.cissieandadaonstage.co.uk |title=Cissie And Ada: An Hysterical Rectomy |last= |first= |date= |website= |publisher= |access-date= |url-status=dead}}{{webarchive|url=https://web.archive.org/web/20140207062518/http://www.cissieandadaonstage.co.uk/ |date=7 February 2014 }}&amp;lt;/ref&amp;gt; began a UK tour at the [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Grand Theatre, Blackpool|Grand Theatre]] on 15 July 2013, in [[Les Dawson]]'s hometown. The show starred [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Eric Potts|Eric Potts]] as Ada/Les, [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Steve Nallon|Steve Nallon]] as Cissie/Roy, [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Steven Arnold|Steven Arnold]] as the writer and [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Natasha Magigi|Natasha Magigi]] as the dresser.&amp;lt;ref&amp;gt;{{cite web |title=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Interview: &lt;/del&gt;Steve Nallon #1 – &amp;quot;A Celebration of Les&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A new play written by Graham Warrener, (incorporating Cissie and Ada original sketches from Dawson's BBC days, written by Terry Ravenscroft), and directed by JJ (John-Jackson) Almond, ''Cissie And Ada: An Hysterical Rectomy'',&amp;lt;ref&amp;gt;{{cite web |url=http://www.cissieandadaonstage.co.uk |title=Cissie And Ada: An Hysterical Rectomy |last= |first= |date= |website= |publisher= |access-date= |url-status=dead}}{{webarchive|url=https://web.archive.org/web/20140207062518/http://www.cissieandadaonstage.co.uk/ |date=7 February 2014 }}&amp;lt;/ref&amp;gt; began a UK tour at the [[Grand Theatre, Blackpool|Grand Theatre]] on 15 July 2013, in [[Les Dawson]]'s hometown. The show starred [[Eric Potts|Eric Potts]] as Ada/Les, [[Steve Nallon|Steve Nallon]] as Cissie/Roy, [[Steven Arnold|Steven Arnold]] as the writer and [[Natasha Magigi|Natasha Magigi]] as the dresser.&amp;lt;ref&amp;gt;{{cite web |title=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Intervie &lt;/ins&gt;Steve Nallon #1 – &amp;quot;A Celebration of Les&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|date=12 September 2013 |first=John-Paul |last=Stephenson |url=http://www.gigglebeats.co.uk/2013/09/interview-steve-nallon-1-a-celebration-of-les/|work=Giggle Beats |accessdate=12 September 2013}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|date=12 September 2013 |first=John-Paul |last=Stephenson |url=http://www.gigglebeats.co.uk/2013/09/interview-steve-nallon-1-a-celebration-of-les/|work=Giggle Beats |accessdate=12 September 2013}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical reception==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical reception==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2006, Sir [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;Ian McKellen|Ian McKellen]], writing in ''[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/del&gt;The Independent|The Independent]]'', named them the tenth best drag act ever created, commenting that they &amp;quot;were as real as the crones in the Rover's Return&amp;quot;.&amp;lt;ref&amp;gt;Ian McKellen. &amp;quot;The Ten Best Drag Acts&amp;quot;. ''The Independent'', 27 June 2006. p. 24.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2006, Sir [[Ian McKellen|Ian McKellen]], writing in ''[[The Independent|The Independent]]'', named them the tenth best drag act ever created, commenting that they &amp;quot;were as real as the crones in the Rover's Return&amp;quot;.&amp;lt;ref&amp;gt;Ian McKellen. &amp;quot;The Ten Best Drag Acts&amp;quot;. ''The Independent'', 27 June 2006. p. 24.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Kurt</name></author>
	</entry>
	<entry>
		<id>https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=23805&amp;oldid=prev</id>
		<title>Kurt: /* Act */</title>
		<link rel="alternate" type="text/html" href="https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=23805&amp;oldid=prev"/>
		<updated>2022-10-19T16:41:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Act&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:41, 19 October 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Act==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Act==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cissie and Ada sketches featured the two women gossiping. Their comedic mannerisms included stoical pursing of lips and constantly heaved bosoms. Cissie and Ada became a hit with the British public.&amp;lt;ref&amp;gt;Marion McMullen. &amp;quot;Go! Theatre: It's Alec Girl-Roy&amp;quot;, ''Evening Telegraph'' (Coventry), 26 October 2001. p. 33&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;David Hopps. &amp;quot;Cricket: Second Division: Resigned to Chilton Hundred: Lancashire 379 &amp;amp; 291-5 Yorkshire 335&amp;quot;, ''The Guardian'', 11 June 2005. p. 17&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&amp;quot;Hooray for Hollywood&amp;quot;, ''Burnley Express'', 6 October 2005.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Craig Brown. &amp;quot;Sons, Lovers and Mothers-in-Law&amp;quot;, ''The Daily Telegraph'' (London), 11 February 2006. p. 25. Many of the scripts were written by Terry Ravenscroft. &amp;quot;I always find Dawson's portrait of the two gossiping Lancashire women Cissie and Ada far more observant than any of the creations of D.H. Lawrence, especially when the two women start mouthing silently to each other about such unmentionable matters as sex or illness.&amp;quot;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite news |title=Statue Appeal for Comedian Dawson  |url= http://news.bbc.co.uk/1/hi/england/lancashire/6418403.stm|publisher=[[BBC]] |date=2007-03-05 |accessdate=2008-10-07}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Matthew, Henry Colin Gray; Brian Howard Harrison &amp;amp; British Academy. ''Oxford Dictionary of National Biography'' (2004), Oxford University Press. p. 565. {{ISBN|0-19-861411-X}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Cissie and Ada sketches featured the two women gossiping. Their comedic mannerisms included stoical pursing of lips and constantly heaved bosoms. Cissie and Ada became a hit with the British public.&amp;lt;ref&amp;gt;Marion McMullen. &amp;quot;Go! Theatre: It's Alec Girl-Roy&amp;quot;, ''Evening Telegraph'' (Coventry), 26 October 2001. p. 33&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;David Hopps. &amp;quot;Cricket: Second Division: Resigned to Chilton Hundred: Lancashire 379 &amp;amp; 291-5 Yorkshire 335&amp;quot;, ''The Guardian'', 11 June 2005. p. 17&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&amp;quot;Hooray for Hollywood&amp;quot;, ''Burnley Express'', 6 October 2005.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Craig Brown. &amp;quot;Sons, Lovers and Mothers-in-Law&amp;quot;, ''The Daily Telegraph'' (London), 11 February 2006. p. 25. Many of the scripts were written by Terry Ravenscroft. &amp;quot;I always find Dawson's portrait of the two gossiping Lancashire women Cissie and Ada far more observant than any of the creations of D.H. Lawrence, especially when the two women start mouthing silently to each other about such unmentionable matters as sex or illness.&amp;quot;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite news |title=Statue Appeal for Comedian Dawson  |url= http://news.bbc.co.uk/1/hi/england/lancashire/6418403.stm|publisher=[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:BBC|&lt;/ins&gt;BBC]] |date=2007-03-05 |accessdate=2008-10-07}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Matthew, Henry Colin Gray; Brian Howard Harrison &amp;amp; British Academy. ''Oxford Dictionary of National Biography'' (2004), Oxford University Press. p. 565. {{ISBN|0-19-861411-X}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Kurt</name></author>
	</entry>
	<entry>
		<id>https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=23804&amp;oldid=prev</id>
		<title>Kurt: /* Critical reception */</title>
		<link rel="alternate" type="text/html" href="https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=23804&amp;oldid=prev"/>
		<updated>2022-10-19T16:40:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Critical reception&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:40, 19 October 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l32&quot;&gt;Line 32:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 32:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical reception==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical reception==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2006, Sir [[Ian McKellen]], writing in ''[[The Independent]]'', named them the tenth best drag act ever created, commenting that they &amp;quot;were as real as the crones in the Rover's Return&amp;quot;.&amp;lt;ref&amp;gt;Ian McKellen. &amp;quot;The Ten Best Drag Acts&amp;quot;. ''The Independent'', 27 June 2006. p. 24.&amp;lt;/ref&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2006, Sir [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:Ian McKellen|&lt;/ins&gt;Ian McKellen]], writing in ''[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:The Independent|&lt;/ins&gt;The Independent]]'', named them the tenth best drag act ever created, commenting that they &amp;quot;were as real as the crones in the Rover's Return&amp;quot;.&amp;lt;ref&amp;gt;Ian McKellen. &amp;quot;The Ten Best Drag Acts&amp;quot;. ''The Independent'', 27 June 2006. p. 24.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Kurt</name></author>
	</entry>
	<entry>
		<id>https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=23803&amp;oldid=prev</id>
		<title>Kurt: /* See also */</title>
		<link rel="alternate" type="text/html" href="https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=23803&amp;oldid=prev"/>
		<updated>2022-10-19T16:39:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;See also&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:39, 19 October 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l41&quot;&gt;Line 41:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 41:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*{{cite book |last1=Hunter |first1=I. Q. |last2=Porter |first2=Laraine |title=British Comedy Cinema |date=4 May 2012 |publisher=Routledge |isbn=978-1-136-50837-0 |url=https://www.google.co.uk/books/edition/British_Comedy_Cinema/AIs_PX9-EkYC?hl=en&amp;amp;gbpv=1&amp;amp;dq=mancunian+films&amp;amp;pg=PT60&amp;amp;printsec=frontcover |access-date=29 May 2022 |language=en}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*{{cite book |last1=Hunter |first1=I. Q. |last2=Porter |first2=Laraine |title=British Comedy Cinema |date=4 May 2012 |publisher=Routledge |isbn=978-1-136-50837-0 |url=https://www.google.co.uk/books/edition/British_Comedy_Cinema/AIs_PX9-EkYC?hl=en&amp;amp;gbpv=1&amp;amp;dq=mancunian+films&amp;amp;pg=PT60&amp;amp;printsec=frontcover |access-date=29 May 2022 |language=en}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==See also==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Cross-dressing in film and television]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Drag performance}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Comedy television characters]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Comedy television characters]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Kurt</name></author>
	</entry>
	<entry>
		<id>https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=23802&amp;oldid=prev</id>
		<title>Kurt: /* History */</title>
		<link rel="alternate" type="text/html" href="https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=23802&amp;oldid=prev"/>
		<updated>2022-10-19T16:39:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;History&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:39, 19 October 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot;&gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==History==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dawson explained that this mouthing of words (or &amp;quot;[[mee-mawing]]&amp;quot;) was a habit of Lancashire [[cotton mill|millworkers]] trying to communicate by [[lip reading]] over the tremendous racket of the [[Power loom|looms]]. Millworkers then resorted to this practice in daily life to discuss delicate subjects.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dawson explained that this mouthing of words (or &amp;quot;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:mee-mawing|&lt;/ins&gt;mee-mawing]]&amp;quot;) was a habit of Lancashire [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/ins&gt;cotton mill|millworkers]] trying to communicate by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:lip reading|&lt;/ins&gt;lip reading]] over the tremendous racket of the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/ins&gt;Power loom|looms]]. Millworkers then resorted to this practice in daily life to discuss delicate subjects.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The pair created the characters in rehearsals, in homage to the [[music hall]] star [[Norman Evans]], who appeared in [[Drag (clothing)|drag]] a 1950 film, ''[[Over the Garden Wall (1950 film)|Over the Garden Wall]]'', playing the lead character, Fanny Lawton.{{sfn|Hunter|Porter|2012|p=60}} They were persuaded by the producer to use them in sketches in the show ''[[Sez Les]]''. Although Dawson needed persuading to don drag, and Barraclough was nervous that he would not be able to match Dawson's talent for ad-libbing, the characters became permanent features of the show.&amp;lt;ref name=&amp;quot;Billen&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The pair created the characters in rehearsals, in homage to the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:music hall|&lt;/ins&gt;music hall]] star [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:Norman Evans|&lt;/ins&gt;Norman Evans]], who appeared in [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/ins&gt;Drag (clothing)|drag]] a 1950 film, ''[[Over the Garden Wall (1950 film)|Over the Garden Wall]]'', playing the lead character, Fanny Lawton.{{sfn|Hunter|Porter|2012|p=60}} They were persuaded by the producer to use them in sketches in the show ''[[Sez Les]]''. Although Dawson needed persuading to don drag, and Barraclough was nervous that he would not be able to match Dawson's talent for ad-libbing, the characters became permanent features of the show.&amp;lt;ref name=&amp;quot;Billen&amp;quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Barraclough recalled that his characterisation of Cissie &amp;quot;was drawn from an aunt of mine who always thought she was slightly above the rest of the family, Auntie Annie. You know, she would always have a sherry. And the rest of the family always took the piss out of her.&amp;quot;&amp;lt;ref name=&amp;quot;Billen&amp;quot;&amp;gt;Andrew Billen. &amp;quot;Race to Get Laid, and Then You Die&amp;quot;. ''The Guardian'', 22 May 1994.&amp;lt;/ref&amp;gt; Key to Dawson's portrayal of Ada was a handbag &amp;quot;tightly clutched to the waist in a manner suggesting infinite disapproval&amp;quot;.&amp;lt;ref&amp;gt;Ian Herbert North. &amp;quot;Cooper's Fez Fetches Five Times Reserve Price at Auction 'Just Like That'&amp;quot;. ''The Independent'', 28 September 2005. p. 18&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Barraclough recalled that his characterisation of Cissie &amp;quot;was drawn from an aunt of mine who always thought she was slightly above the rest of the family, Auntie Annie. You know, she would always have a sherry. And the rest of the family always took the piss out of her.&amp;quot;&amp;lt;ref name=&amp;quot;Billen&amp;quot;&amp;gt;Andrew Billen. &amp;quot;Race to Get Laid, and Then You Die&amp;quot;. ''The Guardian'', 22 May 1994.&amp;lt;/ref&amp;gt; Key to Dawson's portrayal of Ada was a handbag &amp;quot;tightly clutched to the waist in a manner suggesting infinite disapproval&amp;quot;.&amp;lt;ref&amp;gt;Ian Herbert North. &amp;quot;Cooper's Fez Fetches Five Times Reserve Price at Auction 'Just Like That'&amp;quot;. ''The Independent'', 28 September 2005. p. 18&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot;&gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Stage show===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Stage show===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A new play written by Graham Warrener, (incorporating Cissie and Ada original sketches from Dawson's BBC days, written by Terry Ravenscroft), and directed by JJ (John-Jackson) Almond, ''Cissie And Ada: An Hysterical Rectomy'',&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/del&gt;http://www.cissieandadaonstage.co.uk&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]  &lt;/del&gt;{{webarchive|url=https://web.archive.org/web/20140207062518/http://www.cissieandadaonstage.co.uk/ |date=7 February 2014 }}&amp;lt;/ref&amp;gt; began a UK tour at the [[Grand Theatre, Blackpool]] on 15 July 2013, in [[Les Dawson]]'s hometown. The show starred [[Eric Potts]] as Ada/Les, [[Steve Nallon]] as Cissie/Roy, [[Steven Arnold]] as the writer and [[Natasha Magigi]] as the dresser.&amp;lt;ref&amp;gt;{{cite web |title=Interview: Steve Nallon #1 – &amp;quot;A Celebration of Les&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A new play written by Graham Warrener, (incorporating Cissie and Ada original sketches from Dawson's BBC days, written by Terry Ravenscroft), and directed by JJ (John-Jackson) Almond, ''Cissie And Ada: An Hysterical Rectomy'',&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite web |url=&lt;/ins&gt;http://www.cissieandadaonstage.co.uk &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title=Cissie And Ada: An Hysterical Rectomy |last= |first= |date= |website= |publisher= |access-date= |url-status=dead}}&lt;/ins&gt;{{webarchive|url=https://web.archive.org/web/20140207062518/http://www.cissieandadaonstage.co.uk/ |date=7 February 2014 }}&amp;lt;/ref&amp;gt; began a UK tour at the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:&lt;/ins&gt;Grand Theatre, Blackpool&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Grand Theatre&lt;/ins&gt;]] on 15 July 2013, in [[Les Dawson]]'s hometown. The show starred [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:Eric Potts|&lt;/ins&gt;Eric Potts]] as Ada/Les, [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:Steve Nallon|&lt;/ins&gt;Steve Nallon]] as Cissie/Roy, [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:Steven Arnold|&lt;/ins&gt;Steven Arnold]] as the writer and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:Natasha Magigi|&lt;/ins&gt;Natasha Magigi]] as the dresser.&amp;lt;ref&amp;gt;{{cite web |title=Interview: Steve Nallon #1 – &amp;quot;A Celebration of Les&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|date=12 September 2013 |first=John-Paul |last=Stephenson |url=http://www.gigglebeats.co.uk/2013/09/interview-steve-nallon-1-a-celebration-of-les/|work=Giggle Beats |accessdate=12 September 2013}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|date=12 September 2013 |first=John-Paul |last=Stephenson |url=http://www.gigglebeats.co.uk/2013/09/interview-steve-nallon-1-a-celebration-of-les/|work=Giggle Beats |accessdate=12 September 2013}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Kurt</name></author>
	</entry>
	<entry>
		<id>https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=20238&amp;oldid=prev</id>
		<title>Kurt at 21:40, 21 September 2022</title>
		<link rel="alternate" type="text/html" href="https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=20238&amp;oldid=prev"/>
		<updated>2022-09-21T21:40:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:40, 21 September 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot;&gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Cissie and Ada''', in full Cissie Braithwaite and Ada Shufflebotham (or Sidebottom),&amp;lt;ref group=&amp;quot;notes&amp;quot;&amp;gt;Ada's surname is recorded both as Sidebottom and as Shufflebotham in various sources. ''The Guardian'' records it as Shufflebotham in &amp;quot;The Guide: Hard as Males&amp;quot; (9 August 2008, p. 8) as does ''The Daily Mirror'' in &amp;quot;Football: It's Time for Liverpool and Chelsea to ... Show Some Dignity&amp;quot; (20 April 2008, p. 55). However, ''The Independent'', in &amp;quot;The Ten Best Drag Acts&amp;quot; (27 June 2006, p. 24) uses Sidebottom.&amp;lt;/ref&amp;gt; are a comedy [[drag act]] featuring two fictional housewives from [[Northern England]] (or, more specifically, [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lancashire&lt;/del&gt;]]). The act was created and played by the comedian [[Les Dawson]] and the comic actor [[Roy Barraclough]] on television in the 1970s and 1980s.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Cissie and Ada''', in full Cissie Braithwaite and Ada Shufflebotham (or Sidebottom),&amp;lt;ref group=&amp;quot;notes&amp;quot;&amp;gt;Ada's surname is recorded both as Sidebottom and as Shufflebotham in various sources. ''The Guardian'' records it as Shufflebotham in &amp;quot;The Guide: Hard as Males&amp;quot; (9 August 2008, p. 8) as does ''The Daily Mirror'' in &amp;quot;Football: It's Time for Liverpool and Chelsea to ... Show Some Dignity&amp;quot; (20 April 2008, p. 55). However, ''The Independent'', in &amp;quot;The Ten Best Drag Acts&amp;quot; (27 June 2006, p. 24) uses Sidebottom.&amp;lt;/ref&amp;gt; are a comedy [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:drag act|&lt;/ins&gt;drag act]] featuring two fictional housewives from [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:Northern England|&lt;/ins&gt;Northern England]] (or, more specifically, [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;w:Lancashir|e&lt;/ins&gt;]]). The act was created and played by the comedian [[Les Dawson]] and the comic actor [[Roy Barraclough]] on television in the 1970s and 1980s.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Act==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Act==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Kurt</name></author>
	</entry>
	<entry>
		<id>https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=14452&amp;oldid=prev</id>
		<title>Kurt: 1 revision imported</title>
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		<updated>2022-08-20T02:37:09Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
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				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:37, 19 August 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
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		<author><name>Kurt</name></author>
	</entry>
	<entry>
		<id>https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=14451&amp;oldid=prev</id>
		<title>en&gt;Cnbrb: update caption</title>
		<link rel="alternate" type="text/html" href="https://www.thegoonshow.co.uk/wiki/index.php?title=Cissie_and_Ada&amp;diff=14451&amp;oldid=prev"/>
		<updated>2022-06-27T18:29:08Z</updated>

		<summary type="html">&lt;p&gt;update caption&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=November 2021}}&lt;br /&gt;
{{Use British English|date=January 2013}}&lt;br /&gt;
{{Infobox character&lt;br /&gt;
| name        = Cissie and Ada&lt;br /&gt;
| image       = Cissie and Ada.jpeg&lt;br /&gt;
| image_size  = 200px&lt;br /&gt;
| caption     = Les Dawson (right) and Roy Barraclough (left) as Cissie and Ada on ''The Les Dawson Show'' (BBC, 1978)&lt;br /&gt;
| creator     = [[Les Dawson]] and [[Roy Barraclough]]&lt;br /&gt;
| portrayer   = [[Roy Barraclough]] and [[Les Dawson]] respectively&lt;br /&gt;
|alias= Cissie Braithwaite and Ada Shufflebotham&amp;lt;br /&amp;gt;Cissie Braithewaite and Ada Sidebottom&lt;br /&gt;
|gender=Female&lt;br /&gt;
|nationality=British&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
'''Cissie and Ada''', in full Cissie Braithwaite and Ada Shufflebotham (or Sidebottom),&amp;lt;ref group=&amp;quot;notes&amp;quot;&amp;gt;Ada's surname is recorded both as Sidebottom and as Shufflebotham in various sources. ''The Guardian'' records it as Shufflebotham in &amp;quot;The Guide: Hard as Males&amp;quot; (9 August 2008, p. 8) as does ''The Daily Mirror'' in &amp;quot;Football: It's Time for Liverpool and Chelsea to ... Show Some Dignity&amp;quot; (20 April 2008, p. 55). However, ''The Independent'', in &amp;quot;The Ten Best Drag Acts&amp;quot; (27 June 2006, p. 24) uses Sidebottom.&amp;lt;/ref&amp;gt; are a comedy [[drag act]] featuring two fictional housewives from [[Northern England]] (or, more specifically, [[Lancashire]]). The act was created and played by the comedian [[Les Dawson]] and the comic actor [[Roy Barraclough]] on television in the 1970s and 1980s. &lt;br /&gt;
&lt;br /&gt;
==Act==&lt;br /&gt;
Cissie and Ada sketches featured the two women gossiping. Their comedic mannerisms included stoical pursing of lips and constantly heaved bosoms. Cissie and Ada became a hit with the British public.&amp;lt;ref&amp;gt;Marion McMullen. &amp;quot;Go! Theatre: It's Alec Girl-Roy&amp;quot;, ''Evening Telegraph'' (Coventry), 26 October 2001. p. 33&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;David Hopps. &amp;quot;Cricket: Second Division: Resigned to Chilton Hundred: Lancashire 379 &amp;amp; 291-5 Yorkshire 335&amp;quot;, ''The Guardian'', 11 June 2005. p. 17&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&amp;quot;Hooray for Hollywood&amp;quot;, ''Burnley Express'', 6 October 2005.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Craig Brown. &amp;quot;Sons, Lovers and Mothers-in-Law&amp;quot;, ''The Daily Telegraph'' (London), 11 February 2006. p. 25. Many of the scripts were written by Terry Ravenscroft. &amp;quot;I always find Dawson's portrait of the two gossiping Lancashire women Cissie and Ada far more observant than any of the creations of D.H. Lawrence, especially when the two women start mouthing silently to each other about such unmentionable matters as sex or illness.&amp;quot;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite news |title=Statue Appeal for Comedian Dawson  |url= http://news.bbc.co.uk/1/hi/england/lancashire/6418403.stm|publisher=[[BBC]] |date=2007-03-05 |accessdate=2008-10-07}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Matthew, Henry Colin Gray; Brian Howard Harrison &amp;amp; British Academy. ''Oxford Dictionary of National Biography'' (2004), Oxford University Press. p. 565. {{ISBN|0-19-861411-X}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
Dawson explained that this mouthing of words (or &amp;quot;[[mee-mawing]]&amp;quot;) was a habit of Lancashire [[cotton mill|millworkers]] trying to communicate by [[lip reading]] over the tremendous racket of the [[Power loom|looms]]. Millworkers then resorted to this practice in daily life to discuss delicate subjects.&lt;br /&gt;
&lt;br /&gt;
The pair created the characters in rehearsals, in homage to the [[music hall]] star [[Norman Evans]], who appeared in [[Drag (clothing)|drag]] a 1950 film, ''[[Over the Garden Wall (1950 film)|Over the Garden Wall]]'', playing the lead character, Fanny Lawton.{{sfn|Hunter|Porter|2012|p=60}} They were persuaded by the producer to use them in sketches in the show ''[[Sez Les]]''. Although Dawson needed persuading to don drag, and Barraclough was nervous that he would not be able to match Dawson's talent for ad-libbing, the characters became permanent features of the show.&amp;lt;ref name=&amp;quot;Billen&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Barraclough recalled that his characterisation of Cissie &amp;quot;was drawn from an aunt of mine who always thought she was slightly above the rest of the family, Auntie Annie. You know, she would always have a sherry. And the rest of the family always took the piss out of her.&amp;quot;&amp;lt;ref name=&amp;quot;Billen&amp;quot;&amp;gt;Andrew Billen. &amp;quot;Race to Get Laid, and Then You Die&amp;quot;. ''The Guardian'', 22 May 1994.&amp;lt;/ref&amp;gt; Key to Dawson's portrayal of Ada was a handbag &amp;quot;tightly clutched to the waist in a manner suggesting infinite disapproval&amp;quot;.&amp;lt;ref&amp;gt;Ian Herbert North. &amp;quot;Cooper's Fez Fetches Five Times Reserve Price at Auction 'Just Like That'&amp;quot;. ''The Independent'', 28 September 2005. p. 18&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The characters were revisited by the pair in a series of commercials for fresh cream cakes in 1984.&amp;lt;ref&amp;gt;&amp;quot;A Real Mouthful for Les&amp;quot;, ''Sunday Mirror'', 17 June 1984.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Stage show===&lt;br /&gt;
A new play written by Graham Warrener, (incorporating Cissie and Ada original sketches from Dawson's BBC days, written by Terry Ravenscroft), and directed by JJ (John-Jackson) Almond, ''Cissie And Ada: An Hysterical Rectomy'',&amp;lt;ref&amp;gt;[http://www.cissieandadaonstage.co.uk]  {{webarchive|url=https://web.archive.org/web/20140207062518/http://www.cissieandadaonstage.co.uk/ |date=7 February 2014 }}&amp;lt;/ref&amp;gt; began a UK tour at the [[Grand Theatre, Blackpool]] on 15 July 2013, in [[Les Dawson]]'s hometown. The show starred [[Eric Potts]] as Ada/Les, [[Steve Nallon]] as Cissie/Roy, [[Steven Arnold]] as the writer and [[Natasha Magigi]] as the dresser.&amp;lt;ref&amp;gt;{{cite web |title=Interview: Steve Nallon #1 – &amp;quot;A Celebration of Les&amp;quot;&lt;br /&gt;
|date=12 September 2013 |first=John-Paul |last=Stephenson |url=http://www.gigglebeats.co.uk/2013/09/interview-steve-nallon-1-a-celebration-of-les/|work=Giggle Beats |accessdate=12 September 2013}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Critical reception==&lt;br /&gt;
In 2006, Sir [[Ian McKellen]], writing in ''[[The Independent]]'', named them the tenth best drag act ever created, commenting that they &amp;quot;were as real as the crones in the Rover's Return&amp;quot;.&amp;lt;ref&amp;gt;Ian McKellen. &amp;quot;The Ten Best Drag Acts&amp;quot;. ''The Independent'', 27 June 2006. p. 24.&amp;lt;/ref&amp;gt; &lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
{{Reflist|group=notes}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
*{{cite book |last1=Hunter |first1=I. Q. |last2=Porter |first2=Laraine |title=British Comedy Cinema |date=4 May 2012 |publisher=Routledge |isbn=978-1-136-50837-0 |url=https://www.google.co.uk/books/edition/British_Comedy_Cinema/AIs_PX9-EkYC?hl=en&amp;amp;gbpv=1&amp;amp;dq=mancunian+films&amp;amp;pg=PT60&amp;amp;printsec=frontcover |access-date=29 May 2022 |language=en}}&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[Cross-dressing in film and television]]&lt;br /&gt;
&lt;br /&gt;
{{Drag performance}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Comedy television characters]]&lt;br /&gt;
[[Category:Television duos]]&lt;br /&gt;
[[Category:Drag groups]]&lt;br /&gt;
[[Category:British comedy duos]]&lt;br /&gt;
[[Category:British drag queens]]&lt;/div&gt;</summary>
		<author><name>en&gt;Cnbrb</name></author>
	</entry>
</feed>