Angela Morley - Revision history

Kurt at 14:03, 6 February 2023

2023-02-06T14:03:03Z

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	<!--Pleaser use she/her to refer to Angela Morley throughout her life.-->		<!--Pleaser use she/her to refer to Angela Morley throughout her life.-->

	~~{{short description\|English composer and conductor}}~~
	~~{{EngvarB\|date=August 2014}}~~
	~~{{Use dmy dates\|date=June 2020}}~~
	{{Infobox musical artist		{{Infobox musical artist
	\| image = Angela Morley.jpg		\| image = Angela Morley.jpg
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	==External links==		==External links==
	* ~~[http://~~www.angelamorley.com~~/ Official website]~~		* {{Official website\|www.angelamorley.com}}
	* [https://www.robertfarnonsociety.org.uk/index.php/legends/angela-morley Biography at the Robert Farnon Society]		* [https://www.robertfarnonsociety.org.uk/index.php/legends/angela-morley Biography at the Robert Farnon Society]
	* {{IMDb name\|id=0605859\|name=Angela Morley}}		* {{IMDb name\|id=0605859\|name=Angela Morley}}

Kurt: /* External links */

2023-01-16T00:55:07Z

External links

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	* {{IMDb name\|id=0605859\|name=Angela Morley}}		* {{IMDb name\|id=0605859\|name=Angela Morley}}
	* {{AllMusic\|class=artist\|id=p146028\|label=Angela Morley}}		* {{AllMusic\|class=artist\|id=p146028\|label=Angela Morley}}

	~~{{Authority control}}~~

	{{DEFAULTSORT:Morley, Angela}}		{{DEFAULTSORT:Morley, Angela}}

Kurt: /* Early life and education */

2022-10-12T02:51:07Z

Early life and education

← Older revision		Revision as of 21:51, 11 October 2022
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	==Early life and education==		==Early life and education==

	Morley was born in [[w:Leeds, Yorkshire\|Leeds]]<ref name=":5">{{Cite web\|url=http://www.angelamorley.com/site/bio.htm\|title=Career Autobiography of Angela Morley\|website=www.angelamorley.com\|access-date=2020-03-31\|archive-date=15 September 2008\|archive-url=https://web.archive.org/web/20080915153113/http://www.angelamorley.com/site/bio.htm\|url-status=live}}</ref> on 10 March 1924 ~~under~~ the name of Walter Stott.<ref name=":0" /><ref name=":3" /><ref name=":6"/><ref name=":4" /> Morley's father was a watchmaker who played the [[w:ukulele-banjo\|ukulele-banjo]], and the family lived above their jewellery shop.<ref name=":5" /> Her mother also sang.<ref name=":5" /> Morley was a fan of dance music before being able to read the labels on the records, listening notably to [[w:Jack Payne (bandleader)\|Jack Payne]] and [[w:Henry Hall (bandleader)\|Henry Hall]] as a child,<ref name=":5" /> and began learning the [[w:piano\|piano]] at the age of eight on a Challen upright piano.<ref name=":5" /> Morley's father died of heart problems<ref name=":4" /> in 1933<ref name=":6" /> at the age of 39, after which the family moved to [[w:Swinton, South Yorkshire\|Swinton]] and she ceased piano lessons.<ref name=":5" /><ref name=":4" /> She then tried playing [[w:violin\|violin]] at age 10 and the [[w:accordion\|accordion]] at age 11, including in competitions, before choosing the [[w:clarinet\|clarinet]] and [[w:alto saxophone\|alto saxophone]] as primary instruments, taking clarinet lessons and playing in the school orchestra.<ref name=":5" /> Morley then played in the semi-professional band led by Bert Clegg in [[w:Mexborough\|Mexborough]].<ref name=":5" />		Morley was born in [[w:Leeds, Yorkshire\|Leeds]]<ref name=":5">{{Cite web\|url=http://www.angelamorley.com/site/bio.htm\|title=Career Autobiography of Angela Morley\|website=www.angelamorley.com\|access-date=2020-03-31\|archive-date=15 September 2008\|archive-url=https://web.archive.org/web/20080915153113/http://www.angelamorley.com/site/bio.htm\|url-status=live}}</ref> on 10 March 1924 and was given the name of Walter Stott.<ref name=":0" /><ref name=":3" /><ref name=":6"/><ref name=":4" /> Morley's father was a watchmaker who played the [[w:ukulele-banjo\|ukulele-banjo]], and the family lived above their jewellery shop.<ref name=":5" /> Her mother also sang.<ref name=":5" /> Morley was a fan of dance music before being able to read the labels on the records, listening notably to [[w:Jack Payne (bandleader)\|Jack Payne]] and [[w:Henry Hall (bandleader)\|Henry Hall]] as a child,<ref name=":5" /> and began learning the [[w:piano\|piano]] at the age of eight on a Challen upright piano.<ref name=":5" /> Morley's father died of heart problems<ref name=":4" /> in 1933<ref name=":6" /> at the age of 39, after which the family moved to [[w:Swinton, South Yorkshire\|Swinton]] and she ceased piano lessons.<ref name=":5" /><ref name=":4" /> She then tried playing [[w:violin\|violin]] at age 10 and the [[w:accordion\|accordion]] at age 11, including in competitions, before choosing the [[w:clarinet\|clarinet]] and [[w:alto saxophone\|alto saxophone]] as primary instruments, taking clarinet lessons and playing in the school orchestra.<ref name=":5" /> Morley then played in the semi-professional band led by Bert Clegg in [[w:Mexborough\|Mexborough]].<ref name=":5" />

	As a mostly self-taught musician able to sight-read, Morley left school at age 15 to tour with Archie's Juvenile Band, earning a weekly wage of 10 [[w:shilling\|shilling]]s,<ref name=":5" /> and also worked as a [[w:projectionist\|projectionist]].<ref name=":4" /> Her mentor at this time was the pianist Eddie Taylor.<ref name=":5" /> Morley continued to play saxophone in [[w:British dance band\|British dance band]]s during the period of [[w:World War II\|World War II]], joining the [[w:Oscar Rabin Band\|Oscar Rabin Band]] as lead alto in 1941, at age 17.<ref name=":5" /> With this band, she began writing arrangements for pay<ref name=":5" /> and made a recording debut with the tracks "Waiting for Sally" and "Love in Bloom".<ref name=":6" /> She later joined [[w:Geraldo (bandleader)\|Geraldo]]'s band, which performed for [[w:BBC Radio\|BBC Radio]] several times a week,<ref name=":5" /> in 1942<ref name=":0" /><ref name=":1">.{{Cite news\|url=https://www.telegraph.co.uk/news/obituaries/4339863/Angela-Morley.html\|title=Angela Morley\|newspaper=The Daily Telegraph\|date=2009-01-25\|access-date=2019-10-09\|language=en-GB\|issn=0307-1235\|archive-date=2 May 2019\|archive-url=https://web.archive.org/web/20190502091104/https://www.telegraph.co.uk/news/obituaries/4339863/Angela-Morley.html\|url-status=live}}</ref> or 1944.<ref name=":3" /><ref name=":5" /><ref name=":6" /> With Geraldo's band Morley gained experience arranging for bands of many sizes and styles.<ref name=":5" /> She studied [[w:harmony\|harmony]] and [[w:musical composition\|musical composition]] in [[w:London\|London]] with the British-Hungarian [[w:composer\|composer]] [[w:Mátyás Seiber\|Mátyás Seiber]] and [[w:conducting\|conducting]] with the German conductor [[w:Walter Goehr\|Walter Goehr]].<ref name=":5" /> Morley's early work was also influenced by [[w:Robert Farnon\|Robert Farnon]] and [[w:Bill Finegan\|Bill Finegan]].<ref name=":3" />		As a mostly self-taught musician able to sight-read, Morley left school at age 15 to tour with Archie's Juvenile Band, earning a weekly wage of 10 [[w:shilling\|shilling]]s,<ref name=":5" /> and also worked as a [[w:projectionist\|projectionist]].<ref name=":4" /> Her mentor at this time was the pianist Eddie Taylor.<ref name=":5" /> Morley continued to play saxophone in [[w:British dance band\|British dance band]]s during the period of [[w:World War II\|World War II]], joining the [[w:Oscar Rabin Band\|Oscar Rabin Band]] as lead alto in 1941, at age 17.<ref name=":5" /> With this band, she began writing arrangements for pay<ref name=":5" /> and made a recording debut with the tracks "Waiting for Sally" and "Love in Bloom".<ref name=":6" /> She later joined [[w:Geraldo (bandleader)\|Geraldo]]'s band, which performed for [[w:BBC Radio\|BBC Radio]] several times a week,<ref name=":5" /> in 1942<ref name=":0" /><ref name=":1">.{{Cite news\|url=https://www.telegraph.co.uk/news/obituaries/4339863/Angela-Morley.html\|title=Angela Morley\|newspaper=The Daily Telegraph\|date=2009-01-25\|access-date=2019-10-09\|language=en-GB\|issn=0307-1235\|archive-date=2 May 2019\|archive-url=https://web.archive.org/web/20190502091104/https://www.telegraph.co.uk/news/obituaries/4339863/Angela-Morley.html\|url-status=live}}</ref> or 1944.<ref name=":3" /><ref name=":5" /><ref name=":6" /> With Geraldo's band Morley gained experience arranging for bands of many sizes and styles.<ref name=":5" /> She studied [[w:harmony\|harmony]] and [[w:musical composition\|musical composition]] in [[w:London\|London]] with the British-Hungarian [[w:composer\|composer]] [[w:Mátyás Seiber\|Mátyás Seiber]] and [[w:conducting\|conducting]] with the German conductor [[w:Walter Goehr\|Walter Goehr]].<ref name=":5" /> Morley's early work was also influenced by [[w:Robert Farnon\|Robert Farnon]] and [[w:Bill Finegan\|Bill Finegan]].<ref name=":3" />

Kurt: /* Characteristics of her compositions */

2022-09-22T21:30:13Z

Characteristics of her compositions

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	=== Characteristics of her compositions ===		=== Characteristics of her compositions ===
	[[File:Angela Morley conducting BBC Orch.jpg\|thumb\|right\|alt=A middle-aged lady with a conductor's baton\|Angela Morley conducting BBC Orchestra]]		[[File:Angela Morley conducting BBC Orch.jpg\|thumb\|right\|alt=A middle-aged lady with a conductor's baton\|Angela Morley conducting the BBC Orchestra]]
	Her music for ''The Goon Show'' stood out as having "a jazz flavour, rather than the standard comedy-show music of that time."<ref name=":3" /> From some of her earliest composition works, Morley used instruments to represent characters, such as the tuba notes in the theme to ''Hancock's Half Hour'' which represented Tony Hancock.<ref name=":3" /> While Morley was working with Johnny Franz at Philips Records, [[w:Robert Earl (singer)\|Robert Earl]] noted that Morley and Franz "didn't believe in fade-out endings so all those ballads end on big notes".<ref name=":6" />		Her music for ''The Goon Show'' stood out as having "a jazz flavour, rather than the standard comedy-show music of that time."<ref name=":3" /> From some of her earliest composition works, Morley used instruments to represent characters, such as the tuba notes in the theme to ''Hancock's Half Hour'' which represented Tony Hancock.<ref name=":3" /> While Morley was working with Johnny Franz at Philips Records, [[w:Robert Earl (singer)\|Robert Earl]] noted that Morley and Franz "didn't believe in fade-out endings so all those ballads end on big notes".<ref name=":6" />

Kurt: /* Characteristics of her compositions */

2022-09-22T21:28:54Z

Characteristics of her compositions

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	=== Characteristics of her compositions ===		=== Characteristics of her compositions ===
			[[File:Angela Morley conducting BBC Orch.jpg\|thumb\|right\|alt=A middle-aged lady with a conductor's baton\|Angela Morley conducting BBC Orchestra]]
	Her music for ''The Goon Show'' stood out as having "a jazz flavour, rather than the standard comedy-show music of that time."<ref name=":3" /> From some of her earliest composition works, Morley used instruments to represent characters, such as the tuba notes in the theme to ''Hancock's Half Hour'' which represented Tony Hancock.<ref name=":3" /> While Morley was working with Johnny Franz at Philips Records, [[w:Robert Earl (singer)\|Robert Earl]] noted that Morley and Franz "didn't believe in fade-out endings so all those ballads end on big notes".<ref name=":6" />		Her music for ''The Goon Show'' stood out as having "a jazz flavour, rather than the standard comedy-show music of that time."<ref name=":3" /> From some of her earliest composition works, Morley used instruments to represent characters, such as the tuba notes in the theme to ''Hancock's Half Hour'' which represented Tony Hancock.<ref name=":3" /> While Morley was working with Johnny Franz at Philips Records, [[w:Robert Earl (singer)\|Robert Earl]] noted that Morley and Franz "didn't believe in fade-out endings so all those ballads end on big notes".<ref name=":6" />

Kurt: /* External links */

2022-09-22T20:34:47Z

External links

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 * {{IMDb name|id=0605859|name=Angela Morley}}
 * {{AllMusic|class=artist|id=p146028|label=Angela Morley}}
 {{Authority control}}
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 [[Category:20th-century English composers]]
 [[Category:20th-century saxophonists]]
 [[Category:English emigrants to the United States]]
 [[Category:English film score composers]]
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 [[Category:English classical saxophonists]]
 [[Category:English jazz saxophonists]]

Kurt: /* Further reading */

2022-09-22T20:33:41Z

Kurt: /* Legacy */

2022-09-22T20:28:15Z

Legacy

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	Horak includes Morley among her selected list of trans and gender variant filmmakers as a composer, noting in particular her work on ''The Little Prince'' and ''Watership Down'' alongside the film works of other transgender and gender variant people in [[w:Classical Hollywood cinema\|Classical Hollywood cinema]] such as [[w:Dorothy Arzner\|Dorothy Arzner]] and [[w:Christine Jorgensen\|Christine Jorgensen]].<ref name=":9" />		Horak includes Morley among her selected list of trans and gender variant filmmakers as a composer, noting in particular her work on ''The Little Prince'' and ''Watership Down'' alongside the film works of other transgender and gender variant people in [[w:Classical Hollywood cinema\|Classical Hollywood cinema]] such as [[w:Dorothy Arzner\|Dorothy Arzner]] and [[w:Christine Jorgensen\|Christine Jorgensen]].<ref name=":9" />

	Morley is commemorated by a [[commons:File:Angela_Morley_Rainbow_Plaque.jpg\|Rainbow Plaque]] placed by [[w:Leeds Pride\|Leeds Pride]] at the entrance to the [[w:BBC Leeds\|BBC Leeds]] building,<ref>{{Cite web\|url=http://leedscivictrust.org.uk/wp-content/uploads/2018/07/Web-version-Plaque-Trail.pdf\|title=The Rainbow Plaque Trail\|date=2018\|website=[[Leeds Civic Trust]]\|access-date=31 March 2020\|archive-date=22 October 2020\|archive-url=https://web.archive.org/web/20201022121633/http://leedscivictrust.org.uk/wp-content/uploads/2018/07/Web-version-Plaque-Trail.pdf\|url-status=live}}</ref> and also by a [[w:blue plaque\|blue plaque]] at her birthplace in [[w:Kirkstall\|Kirkstall]].<ref>{{cite web\|url=https://www.yorkshirepost.co.uk/news/goon-not-forgotten-blue-plaque-leeds-musician-angela-morley-644916\|title=Goon but not forgotten - a blue plaque for Leeds musician Angela Morley\|date=15 June 2017\|website=Yorkshire Post\|access-date=7 October 2021\|archive-date=7 October 2021\|archive-url=https://web.archive.org/web/20211007122048/https://www.yorkshirepost.co.uk/news/goon-not-forgotten-blue-plaque-leeds-musician-angela-morley-644916\|url-status=live}}</ref>		Morley is commemorated by a [[commons:File:Angela_Morley_Rainbow_Plaque.jpg\|Rainbow Plaque]] placed by [[w:Leeds Pride\|Leeds Pride]] at the entrance to the [[w:BBC Leeds\|BBC Leeds]] building,<ref>{{Cite web\|url=http://leedscivictrust.org.uk/wp-content/uploads/2018/07/Web-version-Plaque-Trail.pdf\|title=The Rainbow Plaque Trail\|date=2018\|website=[[w:Leeds Civic Trust\|Leeds Civic Trust]]\|access-date=31 March 2020\|archive-date=22 October 2020\|archive-url=https://web.archive.org/web/20201022121633/http://leedscivictrust.org.uk/wp-content/uploads/2018/07/Web-version-Plaque-Trail.pdf\|url-status=live}}</ref> and also by a [[w:blue plaque\|blue plaque]] at her birthplace in [[w:Kirkstall\|Kirkstall]].<ref>{{cite web\|url=https://www.yorkshirepost.co.uk/news/goon-not-forgotten-blue-plaque-leeds-musician-angela-morley-644916\|title=Goon but not forgotten - a blue plaque for Leeds musician Angela Morley\|date=15 June 2017\|website=Yorkshire Post\|access-date=7 October 2021\|archive-date=7 October 2021\|archive-url=https://web.archive.org/web/20211007122048/https://www.yorkshirepost.co.uk/news/goon-not-forgotten-blue-plaque-leeds-musician-angela-morley-644916\|url-status=live}}</ref>

	=== Genre ===		=== Genre ===

Kurt at 20:27, 22 September 2022

2022-09-22T20:27:09Z

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	}}		}}

	'''Angela Morley''' (10 March 1924<ref name=":0">{{Cite web\|url=https://www.bbc.co.uk/blogs/writersroom/entries/7c87da6e-c8b0-462e-86a9-b4227fdd25de\|title=Writing '1977' for BBC Radio 4, and why it's about so much more than "a transgender woman in the 1970s"\|date=2015-11-30\|website=BBC\|language=en\|access-date=2020-03-30\|archive-date=7 March 2019\|archive-url=https://web.archive.org/web/20190307214358/http://www.bbc.co.uk/blogs/writersroom/entries/7c87da6e-c8b0-462e-86a9-b4227fdd25de\|url-status=live}}</ref><ref name=":3">{{Cite web\|url=https://www.theguardian.com/culture/2009/jan/23/angela-morley-obituary-wally-stott\|title=Angela Morley Obituary\|date=23 January 2009\|work=[[w:The Guardian\|The Guardian]]\|access-date=11 December 2016\|archive-date=14 July 2014\|archive-url=https://web.archive.org/web/20140714200037/http://www.theguardian.com/culture/2009/jan/23/angela-morley-obituary-wally-stott\|url-status=live}}</ref>{{spaced ndash}}14 January 2009<ref name=":4">{{Cite book \|last=Dubowsky \|first=Jack Curtis \|title=Intersecting Film, Music, and Queerness \|publisher=[[Palgrave Macmillan]] \|year=2016 \|isbn=978-1-349-68713-8 \|location=[[w:Basingstoke\|Basingstoke]] UK; New York \|pages=105–130 \|chapter=Chapter 4: A Tale of Two Walters: Genre and Gender Outsiders \|chapter-url=https://books.google.com/books?id=DCfuCwAAQBAJ&q=iIntersecting%20Film%2C%20Music%2C%20and%20Queerness&pg=PA105 \|access-date=2021-02-06 \|via=[[w:Google Books\|Google Books]] \|archive-date=9 October 2021 \|archive-url=https://web.archive.org/web/20211009185654/https://books.google.com/books?id=DCfuCwAAQBAJ&q=iIntersecting%20Film,%20Music,%20and%20Queerness&pg=PA105 \|url-status=live }}</ref>) was an [[w:England\|English]] [[w:composer\|composer]] and [[w:Conductor (music)\|conductor]] who became a familiar household name to [[w:BBC Radio\|BBC Radio]] listeners in the 1950s. She attributed her entry into composing and arranging largely to the influence and encouragement of the Canadian [[w:light music\|light music]] composer [[w:Robert Farnon\|Robert Farnon]]. Morley [[w:Gender transition\|transitioned]] in 1972 and thereafter lived openly as a [[w:transgender woman\|transgender woman]].<ref name=":4" /> Later in life, she lived in [[w:Scottsdale, Arizona\|Scottsdale]].<ref name=":6">{{Cite web\|url=https://www.independent.co.uk/news/obituaries/angela-morley-composer-and-arranger-who-worked-with-scott-walker-and-scored-dynasty-and-dallas-1488590.html\|title=Angela Morley: Composer and arranger who worked with Scott Walker and\|date=2009-01-22\|website=The Independent\|language=en\|access-date=2020-03-31\|archive-date=18 June 2018\|archive-url=https://web.archive.org/web/20180618134613/https://www.independent.co.uk/news/obituaries/angela-morley-composer-and-arranger-who-worked-with-scott-walker-and-scored-dynasty-and-dallas-1488590.html\|url-status=live}}</ref>		'''Angela Morley''' (10 March 1924<ref name=":0">{{Cite web\|url=https://www.bbc.co.uk/blogs/writersroom/entries/7c87da6e-c8b0-462e-86a9-b4227fdd25de\|title=Writing '1977' for BBC Radio 4, and why it's about so much more than "a transgender woman in the 1970s"\|date=2015-11-30\|website=BBC\|language=en\|access-date=2020-03-30\|archive-date=7 March 2019\|archive-url=https://web.archive.org/web/20190307214358/http://www.bbc.co.uk/blogs/writersroom/entries/7c87da6e-c8b0-462e-86a9-b4227fdd25de\|url-status=live}}</ref><ref name=":3">{{Cite web\|url=https://www.theguardian.com/culture/2009/jan/23/angela-morley-obituary-wally-stott\|title=Angela Morley Obituary\|date=23 January 2009\|work=[[w:The Guardian\|The Guardian]]\|access-date=11 December 2016\|archive-date=14 July 2014\|archive-url=https://web.archive.org/web/20140714200037/http://www.theguardian.com/culture/2009/jan/23/angela-morley-obituary-wally-stott\|url-status=live}}</ref>{{spaced ndash}}14 January 2009<ref name=":4">{{Cite book \|last=Dubowsky \|first=Jack Curtis \|title=Intersecting Film, Music, and Queerness \|publisher=[[w:Palgrave Macmillan\|Palgrave Macmillan]] \|year=2016 \|isbn=978-1-349-68713-8 \|location=[[w:Basingstoke\|Basingstoke]] UK; New York \|pages=105–130 \|chapter=Chapter 4: A Tale of Two Walters: Genre and Gender Outsiders \|chapter-url=https://books.google.com/books?id=DCfuCwAAQBAJ&q=iIntersecting%20Film%2C%20Music%2C%20and%20Queerness&pg=PA105 \|access-date=2021-02-06 \|via=[[w:Google Books\|Google Books]] \|archive-date=9 October 2021 \|archive-url=https://web.archive.org/web/20211009185654/https://books.google.com/books?id=DCfuCwAAQBAJ&q=iIntersecting%20Film,%20Music,%20and%20Queerness&pg=PA105 \|url-status=live }}</ref>) was an [[w:England\|English]] [[w:composer\|composer]] and [[w:Conductor (music)\|conductor]] who became a familiar household name to [[w:BBC Radio\|BBC Radio]] listeners in the 1950s. She attributed her entry into composing and arranging largely to the influence and encouragement of the Canadian [[w:light music\|light music]] composer [[w:Robert Farnon\|Robert Farnon]]. Morley [[w:Gender transition\|transitioned]] in 1972 and thereafter lived openly as a [[w:transgender woman\|transgender woman]].<ref name=":4" /> Later in life, she lived in [[w:Scottsdale, Arizona\|Scottsdale]].<ref name=":6">{{Cite web\|url=https://www.independent.co.uk/news/obituaries/angela-morley-composer-and-arranger-who-worked-with-scott-walker-and-scored-dynasty-and-dallas-1488590.html\|title=Angela Morley: Composer and arranger who worked with Scott Walker and\|date=2009-01-22\|website=The Independent\|language=en\|access-date=2020-03-31\|archive-date=18 June 2018\|archive-url=https://web.archive.org/web/20180618134613/https://www.independent.co.uk/news/obituaries/angela-morley-composer-and-arranger-who-worked-with-scott-walker-and-scored-dynasty-and-dallas-1488590.html\|url-status=live}}</ref>

	Morley won three [[w:Emmy Award\|Emmy Award]]s for her work in music arrangement. These were in the category of [[w:Primetime Emmy Award for Outstanding Music Direction\|Outstanding Music Direction]], in 1985, 1988 and 1990, for ''[[w:Christmas in Washington\|Christmas in Washington]]'' and two television specials starring [[w:Julie Andrews\|Julie Andrews]]. Morley also received eight Emmy nominations for composing music for television series such as ''[[w:Dynasty (1981 TV series)\|Dynasty]]'' and ''[[w:Dallas (1978 TV series)\|Dallas]]''. She was twice nominated for an [[w:Academy Awards\|Academy Award]] in the category of [[w:Academy Award for Best Original Song Score\|Best Original Song Score]]: first for ''[[w:The Little Prince (1974 film)\|The Little Prince]]'' (1974), a nomination shared with [[w:Alan Jay Lerner\|Alan Jay Lerner]], [[w:Frederick Loewe\|Frederick Loewe]], and [[w:Douglas Gamley\|Douglas Gamley]]; and second for ''[[w:The Slipper and the Rose\|The Slipper and the Rose]]'' (1976), which Morley shared with [[w:Richard M. Sherman\|Richard M. Sherman]] and [[w:Robert B. Sherman\|Robert B. Sherman]]. She was the first openly [[w:transgender\|transgender]] person to be nominated for an Academy Award.<ref>{{cite web\|url=https://www.huffpost.com/entry/angela-morley-the-story-b_b_9020734\|title=Angela Morley: The Story Behind the Two-Time Oscar-Nominated Trans Composer\|last1=Betancourt\|first1=Manuel\|date=2016-01-20\|website=HuffPost\|access-date=2020-03-31\|archive-date=23 September 2020\|archive-url=https://web.archive.org/web/20200923011825/https://www.huffpost.com/entry/angela-morley-the-story-b_b_9020734\|url-status=live}}</ref>		Morley won three [[w:Emmy Award\|Emmy Award]]s for her work in music arrangement. These were in the category of [[w:Primetime Emmy Award for Outstanding Music Direction\|Outstanding Music Direction]], in 1985, 1988 and 1990, for ''[[w:Christmas in Washington\|Christmas in Washington]]'' and two television specials starring [[w:Julie Andrews\|Julie Andrews]]. Morley also received eight Emmy nominations for composing music for television series such as ''[[w:Dynasty (1981 TV series)\|Dynasty]]'' and ''[[w:Dallas (1978 TV series)\|Dallas]]''. She was twice nominated for an [[w:Academy Awards\|Academy Award]] in the category of [[w:Academy Award for Best Original Song Score\|Best Original Song Score]]: first for ''[[w:The Little Prince (1974 film)\|The Little Prince]]'' (1974), a nomination shared with [[w:Alan Jay Lerner\|Alan Jay Lerner]], [[w:Frederick Loewe\|Frederick Loewe]], and [[w:Douglas Gamley\|Douglas Gamley]]; and second for ''[[w:The Slipper and the Rose\|The Slipper and the Rose]]'' (1976), which Morley shared with [[w:Richard M. Sherman\|Richard M. Sherman]] and [[w:Robert B. Sherman\|Robert B. Sherman]]. She was the first openly [[w:transgender\|transgender]] person to be nominated for an Academy Award.<ref>{{cite web\|url=https://www.huffpost.com/entry/angela-morley-the-story-b_b_9020734\|title=Angela Morley: The Story Behind the Two-Time Oscar-Nominated Trans Composer\|last1=Betancourt\|first1=Manuel\|date=2016-01-20\|website=HuffPost\|access-date=2020-03-31\|archive-date=23 September 2020\|archive-url=https://web.archive.org/web/20200923011825/https://www.huffpost.com/entry/angela-morley-the-story-b_b_9020734\|url-status=live}}</ref>
Line 186:		Line 186:

	==Further reading==		==Further reading==
	*{{Cite book \|last=Dubowsky \|first=Jack Curtis \|title=Intersecting Film, Music, and Queerness \|publisher=[[Palgrave Macmillan]] \|year=2016 \|isbn=978-1-349-68713-8 \|location=[[Basingstoke]] UK; New York \|pages=105–130 \|chapter=Chapter 4: A Tale of Two Walters: Genre and Gender Outsiders \|chapter-url=https://books.google.com/books?id=DCfuCwAAQBAJ&q=iIntersecting%20Film%2C%20Music%2C%20and%20Queerness&pg=PA105 \|access-date=2021-02-06 \|via=[[Google Books]]}}		*{{Cite book \|last=Dubowsky \|first=Jack Curtis \|title=Intersecting Film, Music, and Queerness \|publisher=[[w:Palgrave Macmillan\|Palgrave Macmillan]] \|year=2016 \|isbn=978-1-349-68713-8 \|location=[[Basingstoke]] UK; New York \|pages=105–130 \|chapter=Chapter 4: A Tale of Two Walters: Genre and Gender Outsiders \|chapter-url=https://books.google.com/books?id=DCfuCwAAQBAJ&q=iIntersecting%20Film%2C%20Music%2C%20and%20Queerness&pg=PA105 \|access-date=2021-02-06 \|via=[[Google Books]]}}
	*{{cite news\|last1=Leigh\|first1=Spencer\|title=Angela Morley: Composer and arranger who worked with Scott Walker and scored 'Dynasty' and 'Dallas'\|url=https://www.independent.co.uk/news/obituaries/angela-morley-composer-and-arranger-who-worked-with-scott-walker-and-scored-dynasty-and-dallas-1488590.html\|access-date=24 March 2018}}		*{{cite news\|last1=Leigh\|first1=Spencer\|title=Angela Morley: Composer and arranger who worked with Scott Walker and scored 'Dynasty' and 'Dallas'\|url=https://www.independent.co.uk/news/obituaries/angela-morley-composer-and-arranger-who-worked-with-scott-walker-and-scored-dynasty-and-dallas-1488590.html\|access-date=24 March 2018}}

Kurt: /* Nominations */

2022-09-22T20:25:09Z

Nominations

← Older revision		Revision as of 15:25, 22 September 2022
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	=== Nominations ===		=== Nominations ===

	* 1975: [[47th Academy Awards]] - [[Academy Award for Best Original Score\|Academy Award for Best Scoring: Original Song Score and Adaptation or Scoring: Adaptation]] for [[The Little Prince (1974 film)\|''The Little Prince'']] (with [[Alan Jay Lerner]], [[Frederick Loewe]], and [[Douglas Gamley]])<ref name=":2" />		* 1975: [[w:47th Academy Awards\|47th Academy Awards]] - [[w:Academy Award for Best Original Score\|Academy Award for Best Scoring: Original Song Score and Adaptation or Scoring: Adaptation]] for [[w:The Little Prince (1974 film)\|''The Little Prince'']] (with [[w:Alan Jay Lerner\|Alan Jay Lerner]], [[w:Frederick Loewe\|Frederick Loewe]], and [[w:Douglas Gamley\|Douglas Gamley]])<ref name=":2" />
	* 1978: [[50th Academy Awards]] - [[Academy Award for Best Original Score\|Academy Award for Best Original Song Score and Its Adaptation or Adaptation Score]] for [[The Slipper and the Rose\|''The Slipper and the Rose: The Story of Cinderella'']] (with [[Robert B. Sherman]] and [[Richard M. Sherman]])<ref name=":2" />		* 1978: [[w:50th Academy Awards\|50th Academy Awards]] - [[w:Academy Award for Best Original Score\|Academy Award for Best Original Song Score and Its Adaptation or Adaptation Score]] for [[w:The Slipper and the Rose\|''The Slipper and the Rose: The Story of Cinderella'']] (with [[w:Robert B. Sherman\|Robert B. Sherman]] and [[w:Richard M. Sherman\|Richard M. Sherman]])<ref name=":2" />
	* 1980: [[32nd Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Direction]] for [[The Big Show (TV series)\|''The Big Show'']] episode "Steve Lawrence and Don Rickles" (with [[Nick Perito]], [[Joe Lipman]], and Peter Myers)<ref name=":2" />		* 1980: [[w:32nd Primetime Emmy Awards\|32nd Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Direction\|Primetime Emmy Award for Outstanding Music Direction]] for [[w:The Big Show (TV series)\|''The Big Show'']] episode "Steve Lawrence and Don Rickles" (with [[w:Nick Perito\|Nick Perito]], [[w:Joe Lipman\|Joe Lipman]], and Peter Myers)<ref name=":2" />
	* 1984: [[36th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[Emerald Point N.A.S.]]'' episode "The Homecoming"<ref name=":2" />		* 1984: [[w:36th Primetime Emmy Awards\|36th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[w:Emerald Point N.A.S.\|Emerald Point N.A.S.]]'' episode "The Homecoming"<ref name=":2" />
	* 1985: [[37th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[Dynasty (1981 TV series)\|Dynasty]]'' episode "Triangles"<ref name=":2" />		* 1985: [[w:37th Primetime Emmy Awards\|37th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[w:Dynasty (1981 TV series)\|Dynasty]]'' episode "Triangles"<ref name=":2" />
	* 1986: [[38th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[Dynasty (1981 TV series)\|Dynasty]]'' episode "The Subpoenas"<ref name=":2" />		* 1986: [[w:38th Primetime Emmy Awards\|38th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[w:Dynasty (1981 TV series)\|Dynasty]]'' episode "The Subpoenas"<ref name=":2" />
	* 1987: [[39th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[Dallas (1978 TV series)\|Dallas]]'' episode "A Death in the Family"<ref name=":2" />		* 1987: [[w:39th Primetime Emmy Awards\|39th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[w:Dallas (1978 TV series)\|Dallas]]'' episode "A Death in the Family"<ref name=":2" />
	* 1987: [[39th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Direction]] for [[Liberty Weekend\|''Liberty Weekend: Opening Ceremonies'']] (with [[Ian Fraser (composer)\|Ian Fraser]], Chris Boardman, [[Ralph Burns]], [[Alexander Courage]], and [[J. Hill]])<ref name=":2" />		* 1987: [[w:39th Primetime Emmy Awards\|39th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Direction\|Primetime Emmy Award for Outstanding Music Direction]] for [[w:Liberty Weekend\|''Liberty Weekend: Opening Ceremonies'']] (with [[w:Ian Fraser (composer)\|Ian Fraser]], Chris Boardman, [[w:Ralph Burns\|Ralph Burns]], [[w:Alexander Courage\|Alexander Courage]], and [[w:J. Hill\|J. Hill]])<ref name=":2" />
	* 1988: [[40th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[Dallas (1978 TV series)\|Dallas]]'' episode "Hustling"<ref name=":2" />		* 1988: [[w:40th Primetime Emmy Awards\|40th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[w:Dallas (1978 TV series)\|Dallas]]'' episode "Hustling"<ref name=":2" />
	* 1989: [[41st Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for [[Blue Skies (1988 TV series)\|''Blue Skies'']] episode "The White Horse"<ref name=":2" />		* 1989: [[w:41st Primetime Emmy Awards\|41st Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for [[w:Blue Skies (1988 TV series)\|''Blue Skies'']] episode "The White Horse"<ref name=":2" />

	== Footnotes ==		== Footnotes ==

← Older revision		Revision as of 15:25, 22 September 2022
Line 168:		Line 168:
	=== Nominations ===		=== Nominations ===

	* 1975: [[47th Academy Awards]] - [[Academy Award for Best Original Score\|Academy Award for Best Scoring: Original Song Score and Adaptation or Scoring: Adaptation]] for [[The Little Prince (1974 film)\|''The Little Prince'']] (with [[Alan Jay Lerner]], [[Frederick Loewe]], and [[Douglas Gamley]])<ref name=":2" />		* 1975: [[w:47th Academy Awards\|47th Academy Awards]] - [[w:Academy Award for Best Original Score\|Academy Award for Best Scoring: Original Song Score and Adaptation or Scoring: Adaptation]] for [[w:The Little Prince (1974 film)\|''The Little Prince'']] (with [[w:Alan Jay Lerner\|Alan Jay Lerner]], [[w:Frederick Loewe\|Frederick Loewe]], and [[w:Douglas Gamley\|Douglas Gamley]])<ref name=":2" />
	* 1978: [[50th Academy Awards]] - [[Academy Award for Best Original Score\|Academy Award for Best Original Song Score and Its Adaptation or Adaptation Score]] for [[The Slipper and the Rose\|''The Slipper and the Rose: The Story of Cinderella'']] (with [[Robert B. Sherman]] and [[Richard M. Sherman]])<ref name=":2" />		* 1978: [[w:50th Academy Awards\|50th Academy Awards]] - [[w:Academy Award for Best Original Score\|Academy Award for Best Original Song Score and Its Adaptation or Adaptation Score]] for [[w:The Slipper and the Rose\|''The Slipper and the Rose: The Story of Cinderella'']] (with [[w:Robert B. Sherman\|Robert B. Sherman]] and [[w:Richard M. Sherman\|Richard M. Sherman]])<ref name=":2" />
	* 1980: [[32nd Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Direction]] for [[The Big Show (TV series)\|''The Big Show'']] episode "Steve Lawrence and Don Rickles" (with [[Nick Perito]], [[Joe Lipman]], and Peter Myers)<ref name=":2" />		* 1980: [[w:32nd Primetime Emmy Awards\|32nd Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Direction\|Primetime Emmy Award for Outstanding Music Direction]] for [[w:The Big Show (TV series)\|''The Big Show'']] episode "Steve Lawrence and Don Rickles" (with [[w:Nick Perito\|Nick Perito]], [[w:Joe Lipman\|Joe Lipman]], and Peter Myers)<ref name=":2" />
	* 1984: [[36th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[Emerald Point N.A.S.]]'' episode "The Homecoming"<ref name=":2" />		* 1984: [[w:36th Primetime Emmy Awards\|36th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[w:Emerald Point N.A.S.\|Emerald Point N.A.S.]]'' episode "The Homecoming"<ref name=":2" />
	* 1985: [[37th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[Dynasty (1981 TV series)\|Dynasty]]'' episode "Triangles"<ref name=":2" />		* 1985: [[w:37th Primetime Emmy Awards\|37th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[w:Dynasty (1981 TV series)\|Dynasty]]'' episode "Triangles"<ref name=":2" />
	* 1986: [[38th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[Dynasty (1981 TV series)\|Dynasty]]'' episode "The Subpoenas"<ref name=":2" />		* 1986: [[w:38th Primetime Emmy Awards\|38th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[w:Dynasty (1981 TV series)\|Dynasty]]'' episode "The Subpoenas"<ref name=":2" />
	* 1987: [[39th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[Dallas (1978 TV series)\|Dallas]]'' episode "A Death in the Family"<ref name=":2" />		* 1987: [[w:39th Primetime Emmy Awards\|39th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[w:Dallas (1978 TV series)\|Dallas]]'' episode "A Death in the Family"<ref name=":2" />
	* 1987: [[39th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Direction]] for [[Liberty Weekend\|''Liberty Weekend: Opening Ceremonies'']] (with [[Ian Fraser (composer)\|Ian Fraser]], Chris Boardman, [[Ralph Burns]], [[Alexander Courage]], and [[J. Hill]])<ref name=":2" />		* 1987: [[w:39th Primetime Emmy Awards\|39th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Direction\|Primetime Emmy Award for Outstanding Music Direction]] for [[w:Liberty Weekend\|''Liberty Weekend: Opening Ceremonies'']] (with [[w:Ian Fraser (composer)\|Ian Fraser]], Chris Boardman, [[w:Ralph Burns\|Ralph Burns]], [[w:Alexander Courage\|Alexander Courage]], and [[w:J. Hill\|J. Hill]])<ref name=":2" />
	* 1988: [[40th Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[Dallas (1978 TV series)\|Dallas]]'' episode "Hustling"<ref name=":2" />		* 1988: [[w:40th Primetime Emmy Awards\|40th Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for ''[[w:Dallas (1978 TV series)\|Dallas]]'' episode "Hustling"<ref name=":2" />
	* 1989: [[41st Primetime Emmy Awards]] - [[Primetime Emmy Award for Outstanding Music Composition for a Series]] for [[Blue Skies (1988 TV series)\|''Blue Skies'']] episode "The White Horse"<ref name=":2" />		* 1989: [[w:41st Primetime Emmy Awards\|41st Primetime Emmy Awards]] - [[w:Primetime Emmy Award for Outstanding Music Composition for a Series\|Primetime Emmy Award for Outstanding Music Composition for a Series]] for [[w:Blue Skies (1988 TV series)\|''Blue Skies'']] episode "The White Horse"<ref name=":2" />

	== Footnotes ==		== Footnotes ==

← Older revision		Revision as of 15:33, 22 September 2022
Line 186:		Line 186:

	==Further reading==		==Further reading==
	*{{Cite book \|last=Dubowsky \|first=Jack Curtis \|title=Intersecting Film, Music, and Queerness \|publisher=[[w:Palgrave Macmillan\|Palgrave Macmillan]] \|year=2016 \|isbn=978-1-349-68713-8 \|location=[[Basingstoke]] UK; New York \|pages=105–130 \|chapter=Chapter 4: A Tale of Two Walters: Genre and Gender Outsiders \|chapter-url=https://books.google.com/books?id=DCfuCwAAQBAJ&q=iIntersecting%20Film%2C%20Music%2C%20and%20Queerness&pg=PA105 \|access-date=2021-02-06 \|via=[[Google Books]]}}		*{{Cite book \|last=Dubowsky \|first=Jack Curtis \|title=Intersecting Film, Music, and Queerness \|publisher=[[w:Palgrave Macmillan\|Palgrave Macmillan]] \|year=2016 \|isbn=978-1-349-68713-8 \|location=[[w:Basingstoke\|Basingstoke]] UK; New York \|pages=105–130 \|chapter=Chapter 4: A Tale of Two Walters: Genre and Gender Outsiders \|chapter-url=https://books.google.com/books?id=DCfuCwAAQBAJ&q=iIntersecting%20Film%2C%20Music%2C%20and%20Queerness&pg=PA105 \|access-date=2021-02-06 \|via=[[w:Google Books\|Google Books]]}}
	*{{cite news\|last1=Leigh\|first1=Spencer\|title=Angela Morley: Composer and arranger who worked with Scott Walker and scored 'Dynasty' and 'Dallas'\|url=https://www.independent.co.uk/news/obituaries/angela-morley-composer-and-arranger-who-worked-with-scott-walker-and-scored-dynasty-and-dallas-1488590.html\|access-date=24 March 2018}}		*{{cite news\|last1=Leigh\|first1=Spencer\|title=Angela Morley: Composer and arranger who worked with Scott Walker and scored 'Dynasty' and 'Dallas'\|url=https://www.independent.co.uk/news/obituaries/angela-morley-composer-and-arranger-who-worked-with-scott-walker-and-scored-dynasty-and-dallas-1488590.html\|access-date=24 March 2018}}